The life & death of The European

An idea before its time or the mad dream of a master swindler?

The inception of The European at the dawn of the 1990s was emblematic of the age. Triumphant scenes of joyful crowds tearing down the Berlin Wall in 1989 sparked exhilaration across the continent and the high spirits from the fall of the Iron Curtain were transformed into Euro-phoria as the ideal of a ‘United States of Europe’ now seemed a very real possibility. The media and publishing magnate Robert Maxwell vigorously supported ‘the European ideal’ and founded The European newspaper to act as a cheerleader for that ideal. Rolling from the printing presses within a year of the Wall’s fall, the newspaper had nonetheless folded by the time the Amsterdam Treaty was ratified in 1999 despite the continued growth in the size and power of European institutions. But the story of the rise and fall of Maxwell’s newspaper — the life and death of The European — is itself indicative of the strengths and weaknesses of the European project itself.

Robert Maxwell’s euro-enthusiasm might be explained by his transnational roots. “Captain Bob” (as Private Eye labeled him) was born Ján Ludvík Hoch in 1923 into a poor Jewish family in a small town in Carpathian Ruthenia — then in Czechoslovakia, now in the Ukraine — and escaped to Great Britain in 1940. He entered the British Army shortly thereafter as a private but his natural intelligence and gift for languages meant that by the war’s end he was a captain, having also been awarded the Military Cross for gallantry.

Using the many contacts he had made amongst the Allied occupation officials, Maxwell went into business as the British and American distributor for Springer Verlag, a German scientific publishing firm. In 1951, he went into publishing on his own when he purchased Pergamon Press, a textbook-printing subsidiary, from Springer Verlag, turning the company around and making handsome profits from the endeavour. A socialist, despite his business acumen, he was elected to the House of Commons in 1964 on the nomination of the Labour party, losing his seat six years later.

Through Pergamon Press, he gradually began accumulating media interests. He lost the battle to buy the News of the World to Australia’s Rupert Murdoch, who duly emerged as his arch-nemesis. By the middle of the 1980s, however, Maxwell owned the London-based Daily Mirror and Sunday Mirror, the Daily Record and the Sunday Mail (both Scottish), as well as other newspapers, a number of publishing houses, a record label, the Berlitz language schools, and half of MTV Europe, and the Oxford United Football Club.

But conventional newspapers, no matter how numerous, did not satisfy the massive ego which had become one of Maxwell’s most notorious characteristics. In June 1988, he began planning for a transnational, pan-European daily newspaper, The European, printed in colour with articles in English, French, and German. Maxwell was a keen proponent of European integration and saw the new title as a method of bridging the gap between Britain and the Continent, as well as hoping that it would act as a counterweight to the well-established American weeklies Time and Newsweek.

Maxwell brandishing issue No. 1 of The European

Maxwell’s ideal for the newspaper proved impossible to realize immediately, and when The European finally emerged on newsstands in May, 1990, it had been brought down in scope to an English-language weekly newspaper. The title emblazoned across the top — with an emblematic white dove hovering above the continent, a copy of the newspaper firmly clasped in its beak — the first copy of The European proclaimed it would bolster ‘the supporters of the integration of Europe’. Divided into three sections — the main news section, Business, and a tabloid-sized culture review named Élan — the paper made a bold use of colour long before most other broadsheets converted from black-and-white.

One million copies of the first issue were printed by Maxwell, with a guarantee to advertisers that the weekly would settle down in six months with a circulation of at least 225,000. Three months after the launch (July 1990), Maxwell claimed a circulation of 340,000 for his pet project, divided between 187,000 in Great Britain and 153,000 on the Continent. The first audited sales figure, however, came out in February 1991 with 226,000, below Maxwell’s promise to advertisers. That month, Maxwell replaced the founding editor, Ian Watson, with John Bryant, who had edited the acclaimed Sunday Correspondent during that newspaper’s brief existence.

As the sales figures continued to settle downwards, Maxwell grew less comfortable with realistic circulation estimates and he began a number of schemes aimed at driving up the numbers. That February, it was decided that ’significantly different’ U.K. and overseas versions would be printed. In October 1991, just a few months later, Maxwell attempted to introduce an edition specific to North America, where officially 15,000 copies of the U.K. edition were sold each week. By the end of the month, however, the scheme was abandoned, and many of the hacks in The European’s London headquarters were reduced to working a three-day week to cut corners, while some were made redundant outright.

The European aside, Maxwell’s empire was coming apart at the seams. High interest rates and a general recession were bad for business overall, but investigations had been launched into various dodgy business practices throughout Maxwell’s companies. Profits had been overstated while losses were hidden away. Money had been looted from corporate pension funds to prop up entities personally owned by Maxwell and to artificially inflate share prices. The London Metropolitan Police were even compiling a file on Maxwell’s war years, towards the aim of charging him with war crimes for killing at least one German civilian.

On November 5, 1991, Robert Maxwell disappeared from his super-yacht sailing off the Canary Islands, and his body was found floating in the Atlantic shortly afterward. Officially ruled an accidental drowning (the more imaginative claimed he was murdered), most assumed that “Captain Bob” had taken his own life rather than face the unravelling of his business empire and its supportive web of deceit. Maxwell was buried five days later on the Mount of Olives in Jerusalem, with Israeli Prime Minister Yitzhak Shamir delivering the eulogy.

Ian Maxwell, the paper’s chief executive and son of the dead proprietor, announced to the assembled staff the true extent of his father’s crimes and their consequent impact for the newspaper, bursting into tears before making a quick exit from the newsroom. Not only were the various Maxwell operations suddenly and very seriously bankrupt, but it became apparent that Maxwell had continually fiddled with the newspaper’s circulation figures. “Rumour had it,” wrote one editor, Richard Holledge, “that copies were being burnt by that year’s particular brand of rioting French” outside the continental print site in Beauvais, and “[t]heir charred numbers were added enthusiastically to the figures”. “A better rumour,” bearing in mind Maxwell’s end, Holledge continued, “was that copies were shipped across the Channel, lost overboard and also added to the circulation”.

Bereft of its chief architect and founder, it was widely thought that The European would have to call it a day and cease operations. The remaining staff held a raucous Christmas party, presuming it would be the last undertaking of ‘Europe’s national newspaper’. But the party was far from over. Deputy editor Charles Garside, an old hand with experience in many a Fleet Street newsroom, bought the title and organised the staff, who worked without pay over the Christmas holiday in order to keep The European alive long enough until a suitable owner could be found. On one of the first weekends of 1992, Garside flew to Monte Carlo, returning the following Monday with new proprietors for The European: the famously reclusive Barclay brothers.

Identical twins, David and Frederick Barclay first made their money with a hotel they expanded into a chain and were not previously involved in the media. Under the Barclay regime and with Garside at the editorial helm, the aim was not so much to advance The European, as it was under the circulation-mad Maxwell, but to stabilise the title. With growth in sales in France, Germany, and Spain, the newspaper brought back Élan, its third section which had been suspended while the paper was losing £1 million a month. By the end of the year, the circulation appeared stable at 200,000.

As 1993 dragged on, however, the circulation dropped by at least 20,000. By August, fourteen members of staff were sacked and a plan was made to move The European into a more upmarket niche. A month later, Garside resigned and was replaced by the long-time managing editor Herbert Pearson. Pearson was immediately undermined when the Barclays’ managing director Greg MacLeod secretly prepared a magazine version of The European with a greater emphasis on features and analysis. The Barclay brothers, known for being hands-off proprietors, expressed little interest in the MacLeod project. MacLeod made his exit and Garside promptly returned as editor in June of 1994.

All continued as per usual until October 1996 when the Barclays appointed the former Sunday Times editor Andrew Neil as editor-in-chief of the Barclays’ three newspapers: The European and the two Scottish titles, The Scotsman and Scotland on Sunday, which they had bought a year before. Soon after, and surprisingly to the staff, Garside quit as European editor and Neil took over that responsibility too, with Herbert Pearson acting as the day-to-day head honcho. Andrew Neil brought new ideas to reinvigorate the paper but the perennial plan to turn upmarket finally materialized in 1997. The European was transformed into a high-end tabloid-sized colour magazine from June 1997 before it emerged in its final magazine form in March 1998.

But the Barclays were at the end of their tether. The European had lost £50 million since they took it over in 1992, and through the many trials and transformations its circulation failed to stabilise and continued its decline. By the middle of 1998, the Barclays threw in the towel and put The European, with Gerald Malone now at the editorial helm, up for sale. In September, it was announced that, unless a buyer was found, the paper would be wound down over the next ninety days. While there were hopes for an eleventh-hour savior in the form of Time Warner, and then Bloomberg, neither conglomerate made an offer. The final number of The European came out on December 14, 1998.

What then was the cause of The European’s downfall? While it may seem strange that ‘Europe’s national newspaper’ faltered during the decade that witnessed the greatest leaps in European integration, the title was beset by such a multitude of problems from the very start that one might very well ask the question how it survived so long.

While undoubtedly the driving force behind The European, Robert Maxwell, with his erratic disposition, was a problem in and of himself. The unreliability of the paper’s circulation figures, actively fudged by ‘Captain Bob’, made advertisers think twice before investing part of their marketing budget. Maxwell’s problematic nature culminated in the massive financial scandal that rocked his empire, finalized by his mysterious death at sea. That the newspaper survived the death of its animating spirit so soon after its foundation is testament to the people who were determined to keep The European alive.

The commercial end of the newspaper’s operation was always a source of woe. Maxwell had been obsessed with newsstand circulation and so The European was one of the few newspapers that was actually more expensive to subscribe to than to buy from a newsagent — a factor which was unhelpful in building a loyal readership.

Starting a newspaper aimed at the middle-market at a time when that market is abandoning the printed media was doubtless an insolvable conundrum. The most obvious solution was to reorient the newspaper upmarket and find a suitable niche, but that too was already well taken care of by the Financial Times, the Economist, and the Wall Street Journal.

Distribution, meanwhile, was “an impenetrable mystery” according to Gerald Malone, the paper’s final editor. “I could never buy it in [the London Borough of] Wandsworth, but without fail found a copy in the village shop in Earlston, a tiny community in the Scottish Borders.”

Malone also claimed The European’s staff was somewhat inconsistent in ardour. Mixed amongst the “hardworking young talent” and the “corps of professionals who brought the paper out through thick and thin” were “prima donnas” and “opinionated misfits past their sell-by date”. “In fact,” Malone wrote after the newspaper’s demise, “they were Fleet Street’s finest freeloaders: old-style fat-cats paid prodigious sums, in one case £75,000 for a three-day week”.

“One senior editor, who carped when I complained that the newsroom often resembled the aft deck of the Mary Celeste, resigned minutes before I could sack him, resenting my outrageous demand that he spend a bit more time in the office and forego long, boozy lunches fuelled with with Bulgarian wine.”

These practical problems aside, The European suffered a debilitating schizophrenia from birth. It claimed to be a European newspaper published in English but it was viewed more as a British newspaper reporting on European affairs. Maxwell’s stated aim (“Barking mad,” according to Malone) was to produce a newspaper for “the housewife in Toulouse”. But the Tolosanian housewife was already well catered for by the media of her own country, printed in her own language.

With institutional schizophrenia, a host of distribution problems, a staff of “freeloading prima donnas”, and the disappearance of its founder into the murky depths of the sea, it is indeed surprising that The European managed a good eight years in print. But besides all these there remained a never-solved existential dilemma at the heart of The European — “Europe’s national newspaper” — that it was impossible to be the national newspaper of a nation that doesn’t exist.

How a newspaper should look

The Sunday edition of the Frankfurter Allgemeine Zeitung has always been a handsome newspaper. I admired its appearance so much that it provided much of the inspiration for the look of the Mitre during my editorship of that august publication. The weekday FAZ was famously reactionary in forbidding the appearance of photographs or any colour on the front page, so the Sonntagszeitung was viewed as an opportunity to be a bit more colourful and a little more free, but still within a solid traditional design.

It saddened me to learn that the Monday-through-Thursday FAZ has given in to the Spirit of the Age and now allows not only colour on its front page but photographs there as well. It now looks like a fairly conventional German newspaper, rather than the king of German dailies.

I will miss the old black-and-white FAZ because for me it brings back memories of visits to Dr. Timmerman’s flat in St Andrews. Sofie and I used to go over to the good professor’s place for German pancakes on Shrove Tuesday (or to listen to his giant old radio, or to simply enjoy good conversation with good wine) and he had a massive pile of Frankfurter Allgemeine Zeitungs which I believe he only discarded at the end of the month.

Because the Frankfurter Allgemeine’s front page is now a little less boring, the world in general is now a little less interesting.

‘Flying High’

[I came across this piece by Taki whilst trawling through the Cusack archives, and I thought now would be the appropriate time to share it.]

By Taki Theodoracopulos (The Spectator, 22 April 2006)

Do any of you remember a film called The Blue Max? It is about a German flying squadron during the first world war. A working-class German soldier manages to escape trench warfare by joining up with lots of aristocratic Prussian flyers who see jousting in the sky as a form of sport, rather than combat. Eager for fame and glory — 20 confirmed kills earns one the ‘Blue Max’, the highest decoration the Fatherland can bestow — the prole shoots down a defenceless British pilot whose gunner is dead. His squadron leader is appalled. ‘This is not warfare,’ he tells the arriviste. ‘It’s murder.’

I know it’s only a film, and a Hollywood one at that, but jousting in the air was a chivalric endeavour back then, with pilots who crash-landed behind enemy lines being treated as honoured guests before being interned for the duration. The man who embodied all the chivalric virtues was, of course, Manfred von Richthofen, whose family had been ennobled by Frederick the Great in the 1740s. When Baron Richthofen became a fighter pilot in the late summer of 1916, it was still only 13 years since the first flight of Orville Wright. The technique of applying air power to warfare was barely understood. One looped-the-loop, and pilots who managed to shoot down enemy aircraft and survive were regarded as heroes and quickly accumulated chestfuls of medals. When the Red Baron (his plane was painted a dark red, hence the nickname) died on 21 April 1918, the Times for 23 April devoted one third of a column to England’s fallen enemy, remarking that ‘all our airmen concede that Richthofen was a great pilot and a fine fighting man’.

By the time of his death, the Red Baron had notched up 80 victories, a record, with the leading French ace, René Fonck, claiming to have shot down 157 German aircraft, but only 75 being confirmed. (Rather French, that.) Needless to say, the mystery surrounding Richthofen’s death added to his legend. No one knows for sure who shot him down, or even if the bullet which killed him came from the ground. The English who found his body treated it with all the ceremony they would have accorded one of their own. An honour guard escorted the corpse to his own lines and British pilots overflew and dipped their wings. Those were the days. Out of 8 million men of his generation who died in that useless war, Richthofen’s is among the few names which will most likely be remembered by the general public on the 200th anniversary of his death.

His brother Lothar and his cousin Wolfram (who bombed Stalingrad 25 years later, and was one of Hitler’s favourites) flew alongside the baron, establishing a tradition for excellence and gallantry in the Luftwaffe. The second world war saw great heroics by German pilots, starting with Hans Ulrich Rudel, with something like 400 Stalin tanks to his credit, Adolf Galland, Erich Hartmann, who shot down 352 Soviet aircraft in the course of 1,500 missions, and Walter Novotny, with 250 Soviet aircraft in fewer than 450 missions.

My favourite is, of course, Prince Heinrich Sayn-Wittgenstein, whose heroics overshadowed the rest, and whose plane was shot down at the very, very end of the war in Schonhausen, the Bismarck home. Wittgenstein had his crew bail out first but was unconscious when he hit the ground. He had been hit while in the cockpit. By the end of the war he had become such an ace and legend he could do what he pleased. He once flew a combat mission with a raincoat over his dinner jacket. A few days before he had been to Hitler’s headquarters to receive the Oak Leaves to his Knight’s Cross. He told the beautiful Missie Vassiltchikov on the telephone, ‘Ich war bei unserem Liebling’ (I have been to see our darling) and added how surprised he was his handgun had not been removed before he entered ‘the Presence’. Heinrich would have loved to have bumped him off, but by then Germany was ruined and the prince died three days later. Hitler had many heroic pilots grounded towards the end, but Wittgenstein, being noble, was kept flying.

Why am I bringing all this up in the year of Our Lord 2006? As I told you last week, while down in Palm Beach, a friend of mine, Richard Johnson, tied the knot with Sessa von Richthofen, and I flew down a group of friends for three days of non-stop celebrations. The couple exchanged vows on an 80-year-old river boat which plies its trade in the inland waterway which crisscrosses Florida. My speech went down great, but then some ghastly paparazzo by the name of Harry Benson went around complaining about it. Never to me, needless to say, otherwise one more kill would have been added to the Richthofen legend.

“Der Rote Baron”

Foreign Film Fictively Frames Favorite Fabled Freiherr

Our cunning cousin, the Hun, has cleverly concealed a card up his hunting-jacket sleeve. Just when you thought the continual winging by hand-wringing Germans about their militarist past (or at least the thoroughly shameful parts thereof) would never end, a new film depicts the life of the dashing Manfred Albrecht Freiherr von Richthofen: better known to us as The Red Baron.

“Der Rote Baron” is showing in den deutschen Kinopalästen as we speak, but the motion picture was not actually meant for a German audience: this is but part of the clever ruse. The film was actually made in English and then dubbed back into German by the mostly Allemanic cast.

Having convinced us of their peaceful intentions through more than a half-century of “Guys, we really messed up circa 1933-1945”, the obvious intent is to swamp the English-speaking world with a film depicting the charming gentlemen fighters of the first weltkreig in order to disarm us as they prepare for their dastardly plans.

Why, as we speak, Georg Friedrich von Preussen is polishing his pickelhaube and dusting off his feather cap in preparation for this latest Prussian plot for world domination. While the Western world worried itself sick over global Islamism and the Chinese threat, little did we know that a swelling irredentism was brewing deep within the hearts of every Berliner; a tear developing in the eye at the mere mention of Tsingtao; a soul in mourning for the loss of Tanganyika. How naïve we were not to realize that all those bright young Germans spending their gap year teaching smiling Herero natives in Namibia were actually forward units of intelligence-gatherers yearning for the return of Ketmanshoop and Swakopmund to the Germanic fold.

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Christ at the heart of Quebec

Quebec, la belle province, was once a land as Christ-haunted as Flannery O’Connor’s American South, with classical parish churches at the heart of towns and cities, and crucifixes in classrooms, courtrooms, and most prominently looking down from on high above the Speaker’s Chair in the Parliament of Quebec. (Alfred Hitchcock’s “I Confess” superbly depicts Quebec’s Catholic society in the 1950s). While the so-called “Quiet Revolution” of the 1960s created an altogether more secularized modern society, robbing the Quebecois of their cultural and religious heritage, the crucifix in parliament remained, most recently challenged by the Bouchard-Taylor report, released this week.

Quebec has undergone an identity crisis concurrent with its latest wave of immigration, most of these immigrants hailing from Africa and the Middle East. Whereas there is no dominant ethnic group or ethnic-based identity in English-speaking Canada (descendants of Britons comprising 34% of the population), in Quebec 77% of the population are ethnic French-Canadians. Of those Quebecois whose primary language is French, 71.7% claim that their society is “overly tolerant” with regard to immigration (a figure that drops to 35.2% for those whose primary language is not French).

The specially-commissioned Bouchard-Taylor report makes a number of recommendations of how to better integrate the newer immigrants, and repeatedly calls for the removal of the crucifix from parliament as well as an end to all public prayers at government functions.

Happily, the National Assembly of Quebec has unanimously passed a resolution stating that the crucifix will stay where it is. The motion was proposed by the Premier of Quebec, Mr. Jean Charest, and Mr. Charest’s Liberals were joined by the official opposition, the Action democratique de Quebec, and the separatist Parti Quebecois.

“We cannot erase our history,” Premier Charest said. “The crucifix is about 350 years of history in Quebec that none of us are ever going to erase, and of a very strong presence, in particular of the Catholic Church. And that’s our reality. And those who come to Quebec are joining a society where that history is now something that is part of our story.”

The Bouchard-Taylor report, however, draws some altogether different conclusions. “Catholicism has left an indelible mark on Québec’s history,” the report concedes. “Traces of it are all around us. Under the principle of the neutrality of the State, religious displays linked to the functioning of public institutions should be abandoned. Thus, we do not believe that the crucifix in the National Assembly and the prayers that precede municipal council meetings have their place in a secular State. In both instances, public institutions are associated with a single religious affiliation rather than addressing themselves to all citizens.”

“That being the case,” the report continues, mixing common sense with liberal cant, “it would be absurd to want to extend this rule of neutrality to all historic signs that no longer fulfil an obvious religious function, e.g. the cross on Mont-Royal or the crosses on old buildings converted to secular uses. The same is true of Québec toponymy, which is largely inspired by the calendar of the saints. Quebecers’ common sense will surely prevail in this respect.”

(Rather absurdly, the Societé Saint-Jean-Baptiste de Montréal, a cultural nationalist group named after the province’s patron, St. John the Baptist, has stated in response to the report that it wholly supports the concept of a secular Quebec and that prayer has no place in civic forums.)

It would be more heartening if the National Assembly’s refusal to remove the crucifix were evidence of a renewed commitment to keep Christianity as the governing principle of Quebec society, but sadly Our Lord has been reduced to a cultural relic of great importance. However, the mere fact that it is being left alone, despite many challenges, gives us hope. So does the surprising success of Quebec’s ADQ party, which came from almost nowhere to within a few breaths of actually forming the government at the last provincial election.

Should the ADQistes capture the premiership at the next election they will have succeeded in bringing moderate conservative government to one of the New World’s most secularized bailiwicks. Conservatives, having once written off the province entirely, should definitely keep Quebec on our list of “ones to watch”.

[First published in Taki's Magazine]

The next Norumbega

The next Norumbega will not be released tomorrow, Memorial Day here in New York, but on the following Monday, June 2, instead.

Abomination

This act of willful cultural vandalism is noxious in the sight of both God and Man and is a complete and utter abomination. Whoever is responsible for this should be hanged, drawn, and quartered, and buried at a crossroads with a stake through his heart.

Observe the beauty of this building at the corner of Harrison & Penn in Williamsburg, Brooklyn: its classic composition, its complete vernacular ease. And look at the cheap, tawdry, wrongly-colored brick used to hide and ultimately destroy this ordinary gem.

How can the perpetrator of this act sleep at night? It boggles the mind…

Facebook: Stop Messing Things Up!

When will the folks at Facebook learn to stop messing about with something successful. Surely they should be giving their users more options rather than taking them away. Isn’t that what the internet’s supposed to be all about? Introducing the “Mini-Feed” without making it optional was intrusive enough, the least they could do is allow us to collapse it thus banishing it from our sight and by extension our consciousness.

Ah, but we are cunning and have deleted every item in our mini-feed. You’ll nae get the better o’ us!

Facebook is planning even greater changes to the profile page, nearly all of which are bad news. Some rogue programmers should copy the code and start a Facebook (Ancien Régime) for those of us who are loyal to the old ways and believe strongly in the principle of “if it ain’t broke, don’t fix it”.

Facebook: stop messing things up!

Im wunderschönen Monat Mai

Victoria Day – Fête de la Reine

The Official Birthday of the Queen of Canada

ELIZABETH II will have had, in her lifetime, more birthdays than Methuselah. This is because, in addition to the actual date of her birth, April 21, 1926, she has several different days which are designated as the Sovereign’s Official Birthday. In Britain, her birthday (which is the official national day of the United Kingdom) generally falls on the first or second Sunday in June and is the occasion of the ceremony of Trooping the Colour. Australia celebrates her birth on the first Monday in June with a public holiday, except for in Western Australia, where it is usually either the last Monday in September or the first Monday in October. This is the day when the latest members of the Order of Australia are announced. New Zealand also holds the Sovereign’s Birthday on the first Monday of June. Fiji is now a republic but Elizabeth II remains ‘Paramount Chief of Fiji’ and so a Monday in June is declared a holiday each year to commemorate her birth.

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Athens of the North

Photo: Steven Lees

Which Scots conservatism?

FOR THOSE WHO haven’t been keeping up with Caledonian affairs, Scottish independence has been brought onto the agenda by the victory of the anti-unionist, pro-independence Scottish National Party in the general election for the Scottish Parliament last year. The SNP victory comes after about half a century of solid domination of Scottish politics by the Labour party (now in regional opposition in Edinburgh, but still in power at the British parliament in Westminster). Yet an important portion of the electorate, while willing to vote the SNP into power — or at least to vote Scottish Labour out of power — have proved more reticent when it comes to the actual matter of ending the 300-year union between England and Scotland. While the SNP is riding high in Holyrood (the seat of the Scottish Parliament), support for Scottish independence is at its lowest since the discovery of North Sea oil.

This may seem like something of a contradiction, but Scottish voters are just trying to make the best of a tricky situation. Labour have proved unpopular both for national reasons (the war in Iraq particularly and Tony Blair in general) and for local reasons (Scottish Labour’s mismanagement during ten years in power at Holyrood and the presumption the Labour clique have that they are Scotland’s natural rulers and how dare anyone think otherwise). Of the five parties in the Scottish Parliament, the Nationalists are the only purely Scottish party — with Labour, the Conservatives, the Liberal Democrats, and the Greens all having either superior (or in the Greens’ case, co-equal) bodies in London. The best way of kicking out Labour was to vote SNP, and enough Scots thought it was worthwhile this time around.

That the Nationalists are a broad-based party has proved a great advantage. Beyond the central issue of their proposal to make Scotland independent, the SNP’s policies are, roughly-speaking, pro-business center-left. At the same time, their student federation is officially socialist, and they receive a fair amount of conservative support because conservatives tend to of a somewhat nationalist strain — and because the Scottish Conservatives give the appearance that they are more than comfortable to simply sit in Holyrood, collect their parliamentary salaries, and twiddle their thumbs. The Conservatives have always been a London-centric party anyhow, and under David Cameron it has become even more clear that it is a rural conservative party which exists in the hope of placing respectable metropolitan liberals in power. Faced with the choice of three liberal parties — the SNP, the Lib Dems, and the Conservatives — and pseudo-socialist Labour, Scots have made a sensible decision by choosing the liberal party which cares most for Scotland: the Nationalists.

But what, again, of this divergence: a party in government for which independence is its foremost purpose and a people who still seem content on (in some shape or form) maintaining the Union? Some in the opposition parties have seen an opportunity in this contradiction and have called for a referendum on independence to be held now; independence would almost (but only almost) certainly be defeated. Wendy Alexander, the Scottish Labour leader, surprisingly lent her support this idea before being forced by her superiors in London to issue a “clarification” opposing the idea. Those who support the continued union between Scotland and England, Wales & Northern Ireland would be wise to push for a referendum at the nearest moment and pull the rug from beneath the independence lobby.

But is the Union worth preserving? Ought conservative Scots to support the continuation of the Union or a move to independence? A unionist conservative might claim that by our very nature as conservatives we ought to support the status-quo and be wary of such far-reaching radical ideas such as ending three centuries of union. To which, of course, the nationalist conservative replies by asking why Scotland should be ruled by a London-based government intent on social and cultural revolution and the overthrow of all tradition. To which the unionist conservative replies that an independent Scottish government is just as likely to be the enemy of all that is good and holy as the London government. And so on and so forth.

Right-thinking Scots who condescend to involve themselves in politics are currently divided between two political parties — the Scottish Nationalists and the Scottish Conservatives — and that this hampers the cause of tradition, order, and liberty in Scotland.

What, then, should be done? The Scottish Conservative party is an inherently flawed vehicle for the advancement of conservatism in Scotland. The party itself only dates to 1965; before then there was a loose association of unionist elected officials who ran under various banners — Liberal Unionist, Scottish Unionist, Progressive, Independent, National Liberal, etc. It was only in that year that the Scottish Unionist Association decided to become the Scottish Conservative & Unionist Party, the official Scottish branch of the (traditionally English) Conservative & Unionist party. The fortunes of the Scottish Conservatives have gone downhill ever since, and there is a very strong cultural bias (sometimes even hatred) of “the Tories” in general that hurts the Scottish party.

There are two main options at hand. The first is that the Scottish Conservatives completely divorce themselves from the English & Welsh party, undergo a complete “re-branding” and transformation. The Conservative name will have to be dumped and there must be a clear indication that the party’s officials are willing to put Scotland’s interest first and foremost both at Westminster and in Holyrood. The disadvantage is that any new identity will still be tarred with the Tory brush and be denigrated as English lackeys.

The second option is for the party simply to be dissolved and for unionist conservatives to join their nationalist conservative confrères in the Scottish Nationalist Party to form a united bloc of sensible people in the party. The disadvantage of this option is that the center-left leadership of the SNP will have an obvious advantage in being able to shut out any former Tories from party positions. The anti-Tory cultural bias is so strong that expulsion may even be considered.

Still, if the SNP wants to be both the party of the Scottish people and the party of Scottish government it would be wise to fulfill two tasks: wooing Scottish Conservatives and reacting to the electorate’s reticence towards full independence. Despite the SNP having 47 seats in Holyrood to the Conservatives’ 17, the Scottish Conservatives are believed to have a larger membership than the Nationalists. Feet on the ground are one of the more important factors in winning elections, and the end of the Scottish Conservative Party could shift a great number of party activists into the SNP camp. On the second point, polls show the Scots voting down independence but being nonetheless dissatisfied with the state of the Union. Rather than the current process of revisiting which powers are “reserved” (kept in London) and which are “devolved” (decided at Holyrood) every few years, it might be better to seek a new concept of union altogether, with the preponderance of governmental power shifted from Whitehall to Belfast, Edinburgh, Cardiff, and English MPs voting on English affairs at Westminster (though some have suggested creating a new English parliament).

The danger here is that any significant reappraisal of the constitutional framework of the Union at this moment might result in any or all of the following: 1) even more power for the government; 2) a step towards the total dissolution of the Union; 3) republican moves towards the abolition of the monarchy. Unionist conservatives ought to oppose all three and nationalist conservatives should at least join in opposing further centralization and the abolition of the Crown, both of which would result in removing any checks on the power of Britain’s political class.

Indeed, perhaps that is the cause around which conservatives of all stripes should unite: opposition to the political class which has seized control of almost all the major institutions of public life in Great Britain and which guards its power jealously. The current political class, which replaced a more multifaceted Establishment (consisting of the commercial class, aristocrats, bishops, do-gooding campaigners, skillful parliamentarians, trade unionists, and the British officer corps) consists almost wholly of boring people who are carbon copies of one another. The fact that no political party currently opposes this political class and its consensus is likely the reason why Britons are so apathetic and unlikely to vote in elections. Peter Hitchens has suggested the first thing that must happen for this situation to change is for the Conservative Party to self-destruct and cease to exist. There are still in Britain today many deeply-conservative people who nonetheless vote Labour (or Lib Dem or SNP) because they feel culturally obliged to, or because they have inherited the bias against the Conservatives. Hitchens posits that the existence of the Conservative Party and the cultural hatred of it are the only factors which keep Labour going as a single party. If the Conservatives collapse, then Labour is soon to follow it (in this hypothesis) and once these two deep-seated “brands” are destroyed, there is finally the possibility of a truly conservative political force emerging; union-wide, not just in Scotland.

[First published in Taki's Magazine]

Chartres 2008

It’s that time of year again. This Pentecost weekend, 10,000 traditional Catholic pilgrims walked en masse over the space of three days from Paris to Chartres. The annual “Notre Dame de Chrétienté” (Our Lady of Christendom) pilgrimage is mostly French but with a healthy spattering of Britons, Americans, and others to add to their happy numbers. It begins in the Cathedral of Notre-Dame de Paris on the vigil of Pentecost and ends up at the Cathedral of Notre-Dame de Chartres on Pentecost Monday, which is traditionally a day off in France. Traditional Masses are said each day (with confessions heard beforehand) along the route.

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From “A Suburban Country Place”

Norn Iron Unites

What issue could be so important that it unites Northern Ireland’s four main political parties? The leaders of the Democratic Unionist Party, Sinn Féin, the Social Democratic & Labour Party, and the Ulster Unionist Party (to name the parties, from largest to smallest in number of votes) have written to Westminster MPs urging them to oppose the extension of the 1967 Abortion Act to Northern Ireland. Northern Ireland was exempt from the Act legalizing abortion in Great Britain because at the time it had its own parliament handling regional issues. The six Irish counties that have remained in the Union are the most strongly anti-abortion part of the United Kingdom.

The Other Modern

An Architecture of Continuity: Luis Moya Blanco’s Universidad Laboral de Gijón

In 1944, an undersecretary of Francoist Spain’s Ministry of Labour visited the city of Gijón to attend the funerals of a group of miners killed in a mine collapse. After the solemn rites took place, Turiño Carlos Pinilla met with a group of locals filled with concern for the offspring of the dead workers. All they asked of the bureaucrat was an orphanage; what they ended up with ten years later was a magnificent palace of charity, almost a city unto itself and the largest building in Spain: the Universidad Laboral de Gijón.

An example of Catholic social teaching (which upholds the essential dignity of work and the working man), the “labor university” was founded as a secondary-level institution to teach vocational and technical skills to the children of Spain’s working class. At over 2,900,000 sq. ft. of space, it is more than double the size of the great Royal Monastery and Palace of El Escorial built by Phillip II in the sixteenth century, and was accompanied by over 380 acres of farmland.

The goal was to accommodate 1,000 students (eventually doubling) from the age of 12 to 16, with residences, school facilities, industrial workshops, working farmland, athletic facilities, and sporting fields. The educational aspect and leadership of the Laboral was entrusted to the Jesuits, while the Poor Clares also had a convent on the premises, performing various household tasks and caring for the girls as their particular charism.

Construction began in 1946, while much of the rest of Europe was recovering from the horrors of the Second World War. Francisco Franco, meanwhile, had vowed at the end of Spain’s tragic Civil War (1936-1939) to never again take up his sword unless Spain herself was attacked, and the country was spared the further horrors of the global conflict.

The Universidad Laboral de Gijón was the first of the handful of “labor universities” founded during Franco’s rule, and some of the brightest minds in Spain were involved in its creation. The gardens, created to train students in landscaping, were designed by Javier de Winthuyssen, the National Inspector of Parks and Artistic Gardens while the farms where students would learn the skills of agriculture were orchestrated by Gabino Figar, Spain’s leading agronomist. The building itself featured sculpture by Manuel Alvarez Laviada and Florentino Trapero, mosaics by Santiago Padrós, and murals by the painter Joaquin Valverde.

The architect, however was Luis Moya Blanco. Born in Madrid in 1904, Moya came from an architectural family. His father (and namesake), Luis Moya Idígoras, was the most prominent road engineer in Spain while his uncle was the head of the School of Architecture in Madrid. Before the Universidad Laboral, Moya was best known for his work on the Museo de America, the museum exhibiting Spain’s artistic and archaeological treasures from the New World, situated on the Avenue of the Catholic Monarchs in Madrid.

Part of the plan of the Universidad Laboral was to act as a miniature ideal city, and the building asserts its independence by facing away from the city of Gijón. Passing through the massive entrance gate, the visitor first encounters the Corinthian Court, a massive atrium lined with ten Corinthian columns 34 ft. tall. Originally open to the heavens, the top of the courtyard was recently given a glass roof.

Through the Corinthian Court, one proceeds into the great central courtyard of the Laboral and is immediately drawn to the church at the center, with the 385-ft. tower behind it, and flanked by the theatre (on the right) and the entrance to the school wing (on the left).

Reflecting the concept of the ideal city, the Church is at the very center and heart of the Laboral. The church is elliptical in shape, but retains the traditional linear liturgical arrangement inside, like all the churches designed by Moya. In the main portal of the Church, above the lintel over the entrance, is a statue of Our Lady of Covadonga, patroness of the Asturias.

The main portal is itself flanked by four columns, two on either side, which are topped by statues of saints: St. Joseph, St. Ignatius, St. Peter, and St. Paul. Atop the portal is St. James the Apostle on horseback, with two angels worshipping a Cross. Originally, this was a specially crafted version of the Cruz de la Victoria, a particular symbol of the Asturias which appears on the principality’s flag, but this precious work of art has since been removed and replaced with a more simple metal version. Circling the church are statues of St. John of the Cross, St. John Bosco, St. Vincent Ferrer, St. Melchor de Quiros, St. Clare, St. Peter of Alcantara, St. Laurence, St. Isidore of Seville, St. Teresa of Avila, St. Dominic Guzman, St. Francis, St. Joseph Calasanctius, St. Eulalia, King St. Ferdinand III of Castile, St. Isidore the Laborer, and St. Toribio de Liébana.

The interior of the church features inlaid marble floors and specially-constructed pews (one of the necessary drawbacks of elliptical churches) made of embero wood imported from Spanish (now Equatorial) Guinea.

The original high altar was removed during the 1970s, but strangely it seems the baldacchino was never completed.

A thin altar rail divided the sanctuary from the nave.

The workshops where students were taught industrial skills.

Classrooms all had a crucifix and a picture of Spain’s caudillo.

Franco was present at the official opening of the Universidad Laboral in 1955.

Major construction finished a year later, though one portion of the complex (above left) remains unfinished.

The theatre of the Laboral was the first air-conditioned theatre in all of Europe.

Above the façade of the theatre rests a sculpture of the Spanish coat of arms under Franco. The yoke and arrows (el yugo y las flechas) were the symbols of Ferdinand and Isabella, the Catholic Monarchs who united Spain as one kingdom. These symbols were included in the coat of arms of Spain from 1492 to 1504 and then from 1938 to 1981. The Falange, the official (yet still somewhat marginalized) political party of the Franco regime, used a stylized yoke-and-arrows as their official emblem.

The Poor Clares doing the laundry in the lower part of their convent. The circular convent (below) was located towards the rear of the Laboral, and featured an open loggia looking out over the nuns’ garden.

Teachers at the café bar.

The Universidad Laboral’s cows pose to have their picture taken.

Unfortunately, with the death of Franco and the subsequent transformation of the Spanish state, all the Universidad Laborals began to suffer from neglect. The Jesuits handed over control of the Gijón school to the faculty in 1978. Originally funded by the trade unions, they became part of the state-run National Institute for Integrated Education in the 1980s. Shortly afterwards, the Poor Clares were kicked out of their convent. As Luis Moya’s great palace of learning deteriorated, enrollment fell and the Universidad Laboral de Gijón moved to a separate, much smaller campus where it continues today as an “institute of secondary education”.

In 2001, the regional government of the Asturias took charge of the building and its massive grounds. The greater part of the school’s farms were turned into a public golf course. The Laboral itself has been reinvented as a “City of Culture”, its massive complex housing a variety of enterprises. The classrooms now house a campus of the University of Oviedo, where students of business, tourism, and public administration are now taught, as well as the Higher School of Performing Arts. Technological innovations are explored at the Science Park Technology Gijón, while the German multinational ThyssenKrupp has its Spanish headquarters and research & development labs in the Laboral. A hospital is located in the building, and a five-star hotel is due to open in April 2009.

The convent from which the Poor Clares were expelled has been turned into a television studio for RTPA, the regional broadcaster for the Principality of the Asturias.

At least partly in keeping with the original idea, a vocational training center remains at the Laboral’s industrial workshop, with 900 students enrolled.

Deconsecrated, the church that once housed Christ at the center of the Universidad Laboral now serves primarily as a performance venue.

While the departure from its original purpose is to be lamented, at least Moya’s beautiful structure is now being maintained and appreciated after years of neglect. During the interwar period, architects plumbed the depths of modernism with interesting results, but after the war they abandoned the safety of the surface and were submerged into those depths. The results were almost entirely catastrophic. Luis Moya, and a number of the other Spanish architects favored under the Franco regime, present a convincing counterargument.

The Universidad Laboral presents us with an architecture that is a continuation of history, rather than a rejection of history. Its components exhibit a classical symmetry but, like the human body itself, are arranged in a somewhat asymmetrical but nonetheless orderly form. It is the largest building in Spain but is broken up into smaller portions to prevent it from overburdening the inhabitants. It exhibits a natural hierarchy of forms, with the Church at its very heart. The Laboral is proof that there is another way of doing things: that one can be at once modern and traditional. That is a lesson that certainly needs to be understood by architects, but surely also by the rest of society as well.