To any observer it must be obvious that hereditary power of some kind is natural and most of the time inescapable. It’s not that you need to be born into power to wield it, but experience shows it doesn’t hurt. Since I was born, there has been just one American presidential election (2012) in which a member of either the Bush or Clinton families was either the official candidate of their respective party or a significant contender for that role.
In Canada, the current prime minister has sailed into office solely on a combination of good looks and being the son of a previous prime minister. In Ireland there are no fewer than forty-one families who have had three or more members elected to the Oireachtas (or to the Commons before it). The relatives and descendants of Timothy Sullivan managing to elect thirteen members between 1874 and 2016 as MPs, TDs, senators, or MEPs. Sullivan’s son and great-grandson both served as Chief Justice of Ireland to boot.
Botswana — the most succesful state in Africa by many gauges — today celebrates the fiftieth anniversary of its assuming the mantle of sovereignty after eighty-one years as a British protectorate. Given that the United States, Canada, and Ireland are generally viewed as succesful countries, the hereditary aspect of power might help explain the comparitive success of Botswana, a multiparty state with free and fair elections, relative to its neighbours. The fourth and current president is Ian Khama, formerly a lieutenant general in the Botswana Defence Force. President Khama is the son of Sir Seretse Khama, the Balliol man who led his country and its people to independence fifty years ago and served as Botswana’s first president. Sir Seretse in turn is the grandson of King Khama III, last kgosi of Bechuanaland before the protectorate and leader of the Bamangwato tribe.
When Sir Seretse Khama became leader of Botswana it was the third poorest country in Africa — now it is the sixth richest on the continent in terms of GDP per capita. In a continent not known for good government Botswana, though not without its problems, is an oasis of stability and order.
At today’s celebrations for the fiftieth year of independence, President Khama wasn’t taking any credit for his country’s success: “Where we may have failed we take the blame. Where we succeeded we thank God.”
Hungarian by nationality, Catholic by faith, Jewish by birth — Antal Szerb was capable of touching the boundaries of intense seriousness bordering on the mystical (as in Journey by Moonlight) or magical (The Pendragon Legend) even though he is probably better known as paragon and only member of the interwar neofrivolist school of literature.
Here he is at his frivolous best with a novel about the monarch of a Ruritanian kingdom in crisis who abdicates and escapes to Venice incognito, where he falls in with a crowd of confidence tricksters who ultimately, unaware of the ex-king’s true identity, force him to impersonate himself.
In Oliver VII, romance, intrigue, and the perpetual allure of the genteel portion of the criminal class all combine in an enjoyable farce.
The opening of Scotland’s judicial year was marked this past Sunday by the Archbishop of St Andrews & Edinburgh offering the customary Red Mass in St Mary’s Cathedral.
This year Archbishop Leo Cushley was joined by Lord Drummond Young and his fellow Senators of the College of Justice, Lord Uist, Lord Doherty, Lord Matthews, and Lady Carmichael.
Gordon Jackson QC, the Dean of the Faculty of Advocates, and Austin Lafferty of the Law Society of Scotland joined many sheriffs, QCs, advocates, solicitors, trainee solictors, paralegals, and law students.
“These men and women serve the nation in a high office and come here to ask the Lord’s blessing upon this year’s work that they carry out on our behalf,” Archbishop Cushley noted in his homily.
“Know that we appreciate the difficult and complex tasks that you have and the duties that you perform – which are very onerous – on behalf of us all and that you be assured of our prayers and our support for all that you do to apply the law of the land with virtue and with justice and with mercy.”
The Baroque is a style of joy. It is often hailed (or derided) as the most Catholic of styles and in some sense this is true. The festivity and physicality of the Baroque reflect the God that Catholics worship — “the Love that moves the Sun and other stars” as Dante put it — but a Love made incarnate, made man, in a very real and tangible world.
The Baroque is also the style of the surprise: the corner turned to an unexpected vista or the jet of water sprinkling a king’s unsuspecting courtier.
One of the most superb examples of this was the great basilica church of Saint Peter in Rome where prince, pilgrim, and pauper alike moved in a dark warren of palaces, hovels, churches, and alleyways, perhaps catching an occasional glimpse of the great dome looming as they closed in on San Pietro, finally to emerge from the shadow into the great light of the piazza.
That warren of buildings was the Spina di Borgo (“Spine of the Borgo”) but this experience is now sadly lost to us since the 1930s when the Kingdom of Italy’s fascist premier Benito Mussolini decided to raze the neighbourhood. Instead we now have the long boulevard called the Via della Conciliazione, named in commemoration of the Lateran Treaty establishing formal relations between the Holy See and the Italian state.
While Il Duce ostentatiously took credit for this urban crime by symbolically swinging the pickaxe beginning commencing demolition the concept, though flawed, was in fact an old one. Leon Battista Alberti submitted proposals during the reign of Pope Nicholas V (mid fifteenth century), and numerous other architects — Carlo Fontana, Giovanni Battista Nolli, Cosimo Morelli — drew up similar plans. The Piazza San Pietro only took its now instantly recognisable form in the 1650s when the curved flanking collonades enclosed the space like great welcoming arms superbly framing the basilica’s façade.
Mussolini turned to Marcello Piacentini — an accomplished if sometimes uneven architect — assisted by Attilio Spaccarelli. Piacentini favoured closing off the view from the avenue with a closed collonade, echoing Bernini’s own plans for the piazza, but was overruled.
The razing of the Spina presented a problem in that the undemolished buildings left flanking the Via della Conciliazione were now mostly at odd angles to the new boulevard. Piacentini attempted to solve this by flanking the road with two rows of obelisks that doubled as streetlamps providing a line directing the viewer towards the great basilica beyond, otherwise unimpeded by any visual interruption.
Overall the construction of the Via leaves a rather boring and clinical feeling. The charm and chaos of the Spina has been replaced by a clean and dull boulevard, useful for little more than traffic efficiency and crowd control. The loss of the Spina di Borgo is mourned.
Though often overshadowed by the more theatrical T.E. Lawrence, Sir Mark Sykes (7th baronet) was still by all accounts a remarkable man. Educated by Jesuits in England, Monaco, and Belgium, young Sykes had instilled in him a cosmopolitan sense of adventure by travelling with his mother across the Middle East, Mesopotamia, India, and Asia throughout his childhood. It was during his travels in the provinces of the Ottoman empire that Sykes’s lifelong fascination with Islam began. By the time it was appropriate to go to university he found the atmosphere and formality of Cambridge stifling and left without taking a degree, but not without gaining a reputation for good humour with a special talent for mimicry.
At 25 Sykes wrote his first book, Dur-ul-Islam, which Kipling found so fascinating he couldn’t put it down until forced to by the necessity of sleep. After forays in the civil and diplomatic services, Sykes was elected to Parliament as the Unionist candidate in Kingston upon Hull. A romantic tory at heart, he disliked being labelled as conservative. “It is impossible to be a Conservative,” Sykes argued, “when there is nothing left to Conserve.”
When the Great War broke out in August 1914, Sykes recruited a batallion of men from his Yorkshire estates alone, but his unique insight into the Ottoman empire was put to good use in military intelligence. In May 1916 he was sent to negotiate the Anglo-Franco-Russian carving-up of Ottoman Asia with Charles Georges-Picot of the Quai d’Orsay.
The question of what the Turks’ Arab subjects themselves wanted only became a question the following month with the beginning of the Great Arab Revolt. This huge undertaking to wrest the Arab peoples from centuries of Turkish rule found a leader in the Sharif and Emir of Mecca, Hussein bin Ali of the Hashemite dynasty, but the uprising needed a symbol to rally round, and Sykes was the man for the job.
The flag of the Arab Revolt that Sir Mark Sykes designed was to be one of the most influential flags in the history of vexillology, launching the four pan-Arab colours into the world of flag design. Black represented the Abbasid dynasty, green for the Fatimids, and white for the Ummayad, all of which was united by a triangle of red for the Hashemites who hoped to rule Arabia.
Twelve modern states today employ designs descended from the flag Sykes designed. Among them is Jordan, now the only land ruled by the Hashemites – the Sauds kicked them out of Hejaz while the brutal slaughter of the 1958 coup deprived them of the Iraqi throne.
Jordan’s Red Sea port of Aqaba was made famous by its capture during the Great Arab Revolt – retold in David Lean’s 1962 film ‘Lawrence of Arabia’ – and it is there today that Sykes’s flag flies from one of the tallest flagpoles in the world.
Daniel O’Connell was a remarkable man by any stretch of the imagination, and is most often recalled for his part in bringing about the Relief Act of 1829 which emancipated the Catholics of Great Britain and Ireland from an officially oppressed legal status. Among his many achievements, however, was in London in 1825 founding the National Bank of Ireland.
As the RBS Group’s website notes, O’Connell:
…helped draw up the agreement that established it, spoke at public meetings to drum up support for it, invested in it, attended its first board meetings and, in 1836, was appointed its governor. He became an important figurehead for the new bank and there was even a proposal, not implemented, to put a bust of O’Connell on the bank’s notes.
The National Bank was created with the aim of injecting cash into the rural economy in Ireland, and its charter ensured that half of its returns would accrue to local shareholders in the country. O’Connell, not the best manager of financial affairs, ended up accruing huge personal debts to the bank and had to be quietly bailed out by several others (commencing a tradition of surruptitious banking amongst the nation’s major politicians).
Anyhow, the National Bank expanded across Britain and Ireland. In 1966 its Irish core was sold to the Bank of Ireland, and the English and Welsh branches were acquired by the National Commercial Bank of Scotland (which was a 1959 merger of the National Bank of Scotland and the Commercial Bank of Scotland). This, in turn, merged into the Royal Bank of Scotland in 1969, with the superfluous National Bank branches being turned into Williams & Glyn’s Bank the following year. (more…)
What are we to make of the growing movement against the name ‘Czech Republic’? It seems a welcome development, although one has a certain hesitancy in adopting the name ‘Czechia’ which somehow just doesn’t ring true from the English tongue.
Many will still automatically recall ‘Czechoslovakia’, an artificial country invented in 1918 which lasted a surprising seventy-four years. Its two successor states will celebrate their twenty-fifth anniversary of independence next year, and perhaps this landmark event has provoked some introspection regarding the country’s name.
It’s not that the Czech Republic is alone: there are plenty of countries whose official names included an adjectival demonym — the French Republic, the Italian Republic, and the Hellenic Republic spring to mind. But these three examples all have names that more readily spring to mind — France, Italy, Greece — and which are used more frequently then the official state names.
Besides the Czech Republic, the only other example of a country known only as ‘the [demonymic adjective] Republic’ is the Dominican Republic, which cannot be known as Dominica owing the nearby sovereign island of the same name. (The island Dominica was named after Sunday whereas the DR was named after Saint Dominic, the patron of its largest city.) Even the Central African Republic is often referred to as Centrafrique (in French, at least).
Is it a move against republicanism? Not especially. When neighbouring Hungary adopted its new constitution it dropped the state name ‘Hungarian Republic / Republic of Hungary’ in favour of just plain ‘Hungary’ while maintaining a republican form of government. More influential perhaps is that it’s often viewed as a bit tinpot-dictatorship to have the word ‘republic’ in your country’s everyday name. (more…)
The simple image of an African, garments aflutter, on a plain background provides a strikingly modern design as the commercial emblem of a firm engaged in the trade in human misery.
This flag was captured by Commodore Arthur Eardley-Wilmot while on anti-slavery operations off West Africa and given to his friend William Henry Wylde who supervised anti-slave-trade efforts at the Foreign Office in Whitehall.
The eradication of the slave trade is arguably the greatest peacetime achievement of the Royal Navy as well as powerful proof that the supremacy of economics can be overcome and made subject to morality. This is not just a possibility, but a necessary precondition for any humane and civilised order in society.
For quite some time, Leuven — in what is currently known as Belgium — was the only university in the Netherlands. It is still (barely, some argue) a Catholic university, and after the Protestant revolt sealed its rule over the northern part of the Dutch realms, William the Silent founded a university at Leiden as a Calvinist academy in 1575.
Leiden University has had strong links with South Africa from the earliest days. Ds. Johannes de Vooght — in the 1660s, the second leraar of Cape Town’s Dutch Reformed congregation — studied here, as did numerous predikante of that period and onwards, including Ds. Petrus van der Spuy, the first NGK minister to be born in South Africa.
South African politicians studied here aplenty: Sir Christoffel Brand (first Speaker of the Cape Parliament); Jan Brand (fourth president of the Orange Free State); Marthinus Steyn (sixth and final president of the O.F.S.); and Nicolaas Diederichs (third staatspresident of the Republic of South Africa).
Probably the first South African to be granted an honorary degree by Leiden (c. 1830) was Antoine Changuion, the founder of the Dutch language movement which advocated preserving Dutch as the cultural language of the Afrikaners against the emerging Afrikaans.
It was in 1948 that Leiden granted the greatest Afrikaner — Field Marshal Smuts — a Doctorate of Law honoris causa. Smuts was on his way back from Cambridge where he had been granted the honour of being installed as Chancellor of the University. Even Die Burger, a Nationalist paper opposed to his Verenigde party, found the event worthy of a caustic near-compliment:
“We may differ from him on many issues, but the honour which he has won for the Afrikaner does not leave us untouched.”
This Cape Town house was built in 1751 for Hermanus Smuts who sold it on to Johan Jacobus Graaff, the woodworker who collaborated with South Africa’s greatest architectural duo, the sculptor Anton Anreith and the architect Louis Michel Thibault.
Thibault is believed to be responsible for the addition of the upper story and the current façade, seen above through an archway of the High Court.
The building next door was designed by the pioneering Afrikaner architect Wynand Hendrik Louw (1883-1967) for De Nederlandsche Club te Kaapstad, the city’s club for Dutch businessmen and expatriates. Louw was also the architect of the Dutch Reformed Church at Napier in the beautiful Overberg.
I had a dream, which was not all a dream.
The bright sun was extinguish’d, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill’d into a selfish prayer for light:
And they did live by watchfires—and the thrones,
The palaces of crowned kings—the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consum’d,
And men were gather’d round their blazing homes
To look once more into each other’s face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain’d;
Forests were set on fire—but hour by hour
They fell and faded—and the crackling trunks
Extinguish’d with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smil’d;
And others hurried to and fro, and fed
Their funeral piles with fuel, and look’d up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash’d their teeth and howl’d: the wild birds shriek’d
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl’d
And twin’d themselves among the multitude,
Hissing, but stingless—they were slain for food.
And War, which for a moment was no more,
Did glut himself again: a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death
Immediate and inglorious; and the pang
Of famine fed upon all entrails—men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devour’d,
Even dogs assail’d their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish’d men at bay,
Till hunger clung them, or the dropping dead
Lur’d their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer’d not with a caress—he died.
The crowd was famish’d by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heap’d a mass of holy things
For an unholy usage; they rak’d up,
And shivering scrap’d with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other’s aspects—saw, and shriek’d, and died—
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless—
A lump of death—a chaos of hard clay.
The rivers, lakes and ocean all stood still,
And nothing stirr’d within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal: as they dropp’d
They slept on the abyss without a surge—
The waves were dead; the tides were in their grave,
The moon, their mistress, had expir’d before;
The winds were wither’d in the stagnant air,
And the clouds perish’d; Darkness had no need
Of aid from them—She was the Universe.
This year — 2016 — will be the two-hundredth anniversary of the Year without a Summer, caused by the eruption of Mount Tambora in the Dutch East Indies the year before. The extremely high levels of volanic material in the atmosphere led to darker skies which meant colder temperatures and failed harvests. Brown snow was reported in Hungary and red snow in Italy.
But the abnormalities in the sky were also responsible for the spectacular sunsets that inspired artists like Caspar David Friedrich and J M W Turner and the unceasing rain that provoked Mary Shelley to write Frankenstein and Lord Byron to write ‘Darkness’. It’s no coincidence that, soon after this year of darkness, John Polidori published his book The Vampyre and the modern concept of this undead creature began to haunt the gothic imagination.
A triumphant painting, but a last hurrah. The central figure is Sir Nevile Wilkinson, the last ever Ulster King of Arms & Principal Herald of Ireland, exercising the duties of his office by proclaiming the accession of the new king at Dublin Castle.
The Anglo-Irish Treaty and its legislative acts neglected to make provision for transferring this ancient office to the new Irish Free State, but Sir Nevile carried on regardless for nearly two decades, even issuing two dozen grants of arms on the day before his death in 1940.
After his death, the Oireachtas created the office of the Chief Herald of Ireland to continue the granting of arms, and in some sense the Chief Herald is a spiritual successor to the Ulster King of Arms.
What is now the State of the Nation Address has its origins in the speech from the throne (in Afrikaans staatsrede meaning “state reasoning/rationale”) setting out the Government’s legislative programme for the year. The high point of the State Opening of Parliament, it was originally given by the Governor-General (or, in 1947, by the King of South Africa himself) but with the abolition of the monarchy in 1961 the sovereign’s vice-regal representative was abolished and replaced by the Staatspresident as chief officer of the South African state.
Giving a speech from an actual throne was considered too monarchic for a republican polity, so – like in the Boer republics of old – presidents gave their staatsredes standing. Here, State-President Fouché is flanked by the chiefs of the defence staff and police, the Serjeant-at-Arms with the mace, and the Gentleman Usher of the Black Rod.
Of course, much of this was abolished in the 1980s with the constitutional innovations as a last-ditch attempt to entrench apartheid. South Africa is now on its third constitution since the above photo was taken.
It reminds me of how in Ireland almost all the traditions of the Viceroy (viz. the Viceregal Guard of Battleaxes, etc.) were abolished not by the Saorstát or Éire but by the British themselves – in their case by penny-pinching Victorians who found Dublin an easy target for cost-cutting.
The Tranovola (left) and Manjakamiadana (right) in the Rova of Antananarivo.
The Manjakamiadana (“Where It is Pleasant to Rule”) was the royal residence, later pretentiously clad in stone by Protestant missionaries, while the Tranovola (“Silver House”) was where the nefarious Rainivoninahitriniony received foreign diplomats after the nobles’ coup of 1863.
His complicity in the supposed regicide of that year — no one’s really quite sure what happened to Radama II — eventually led to his downfall two years later. His younger brother Rainilaiarivony proved a more skilful political operator, succeding Rainivoninahitriniony as prime minister and arranging his own marriage to the last three queens of the Merina kingdom of Madagascar.
It’s often alleged that cultural trends in the Americas have long been riven by a conflict between one tendency favoruing European influences against another which favours national or indigenous inspiration. This dichotomy seems false, as the Americas are at their best when they take the finest in the European tradition and develop it in a new way with the addition of more local flavours.
In the nineteenth century, however, the European was in the ascendant, and particularly in South American militaries which relied upon European advisors to update and train their armed forces. Countries like Colombia and Chile imported Prussian advisors, which has given their militaries a Teutonic air to this day (viz. Colombia’s pickelhaube and Chile’s parada militar).
In Peru, however, it was the French who were brought in to bring the army up to speed, and that lasting influence is obvious from the uniforms seen here at a recent passing-out ceremony at the Escuela Militar de Chorrillos attended by the President. No pickelhaube here, the kepi reigns supreme.
It’s not turning the clock back: it’s choosing a different future.
SIPPING a postprandial Coke last week while flipping through the Irish Times, my wandering eye was drawn towards that newspaper’s report on the Madrid congress of the European People’s Party, the grouping of Christian-democratic and centre-right political parties across the European continent (Madrid congress provides forum for delegates from EU centre-right parties, Suzanne Lynch, Irish Times, 22 October 2015). The correspondent first elucidates some of the purpose of these pan-European gatherings before going on to summarise a number of the issues raised. She ends, however, on a bit of a downer by describing Hungarian Prime Minister Viktor Orbán’s “lurch to the far right”, evidenced by his “clampdown on media and internet freedoms, apparent support for the death penalty and hardline approach to refugees”.
This breezy litany of crimes is little more than shoddy journalism. The alleged “clampdown” refers to proposed internet legislation which has been withdrawn while other media laws requiring balance reflect the U.S. broadcasting rules rescinded under Ronald Reagan. The “apparent support” for capital punishment is another damp squib: Orbán called for it to be debated as intellectual speculation — a canny “dog-whistle” political move to gain votes without requiring any legislative action or serious challenge to the E.U. ban on the death penalty. (It was abolished in Hungary at the fall of communism and there are absolutely positively no government plans to bring it back.)
The refugees allegation was the most interesting, however. As it happened, I had attended a small meeting of British MPs and Hungarian foreign ministry officials the day before Ms Lynch’s report was printed. The Welsh MP David Davies gave his first-hand account of visiting the refugee camps near the Hungarian-Serb border and reported that refugees were being well-looked-after, with the quality of the facilities on the whole at least as good as when he was in the British Army, often better. An advisor from the Hungarian Foreign Ministry briefed us on the general situation, which has calmed down immensely since the Serb border has been more or less closed. He noted that broadcast media across the continent showed footage of Budapest police’s treatment of migrants gathered at the railway station without pointing out that the police were responding to violent attacks from a small minority of migrants.
Proprotionate self-defence for officers of the law is the norm across Europe, but this has mattered little when it comes to depictions of Hungary: the bien-pensant official groupthink is that anything Hungary does is wrong, so long as Fidesz is in power. Luckily some voices of dissent have emerged. The novelist Tibor Fischer — no conservative — described in The Guardian the media treatment of Hungary as “hysterical” and “ignorant nonsense”.
Anyhow, I felt obliged to send off my “Disgusted of Tunbridge Wells” to the Irish Times and it’s very good of their letters staff to print a diverging (if abridged) opinion. The last letter to any editor I succeeded in having printed was in the Times Literary Supplement in 2008 about P.G. Wodehouse’s career in banking at H.S.B.C. Who knows what the next shall bring…
As my sister was educated (or something to that effect) by Ursulines, a recent addition to Canada’s Public Register of Arms, Flags, and Badges caught my attention. The Queen of Canada granted a coat of arms to the Quebec municipality of Sainte-Angèle-de-Mérici in 2013 (pictured above).
The shield of the arms features three chevronels represent the mountains surrounding the area while their number reminds us that Sainte-Angèle-de-Mérici is a municipality formed from two townships — Cabot and Fleuriault — and the single seigneury of Lepage-et-Thivierge. The wavy blue stripe represents the Mitis River, while gold symbolises the agricultural industry of the Sainte-Angèle-de-Mérici.
The charming aspect are the supporters: two bear cubs. St Angela Merici was the founder of the Ursulines — the Order of St Ursula — and ‘Ursula’ is Latin for ‘little female bear’.
“The bear also symbolizes bravery, thus signifying St. Angela Merici’s martyrdom,” the Canadian Heraldic Authority further explains. “The cloak is one of her traditional attributes. The flags (drapeau in French) honour Angèle Drapeau (1799-1876), the youngest daughter of Seigneur Joseph Drapeau and benefactor of the municipality.”
The city’s administrative and electoral units were its parishes, and the tallest buildings were all church towers. The day of the colonial port began with the cannon shot announcing the beginning of harbour commerce, at half past five.
This was followed by the opening of shops and homes of merchants and tradesmen. Early mass was signalled by church bells, and it was church bells which marked the day’s turn as they sounded the day’s regular prayers as the sun rose and set. …
One of the first, common sights in the city was that of Catholic brotherhoods seeking alms in the streets and shops, or, perhaps, a lady, humbly barefoot, seeking to fulfil a vow by begging alms with a heavy silver tray covered with rich cloth — accompanied by her servant, of course.
Above: The 600th Anniversary Mace.
Below: The University’s three medieval maces:
St Salvator’s College, 1461; Faculty of Canon Law, circa 1450; Faculty of Arts, 1416.
ST ANDREWS University already boasts the world’s finest collection of medieval maces, but a new ceremonial mace was added to the university’s hoard recently. In honour of the University’s six-hundredth anniversary, the Most Rev Leo Cushley, Archbishop of St Andrews & Edinburgh, has presented the institution with a new ceremonial mace on behalf of the Catholic Church.
“This completes a triple recognition of the University St Andrews,” said Dr John Haldane, the University’s professor of philosophy.
“During his visit to Scotland at the outset of this decade, Pope Benedict referred to the university beginning to mark the 600th anniversary of its foundation, then last year Pope Francis sent a message of congratulation, and now his office has granted permission for the inclusion of his coat of arms on the head of a mace commissioned to mark the completion of several centuries and the beginning of who knows how many more.”
The silver mace with gold rose details was crafted by Hamilton & Inches of Edinburgh, who also constructed the mace of the Faculty of Medicine at St Andrews over a half-century ago. Their master silversmith Jon Hunt designed the mace, in consultation with Prof Haldane.
The mace’s head is reminiscent of Brunelleschi’s dome of Florence Cathedral, recalling St Andrews’s links with the Continent which were foremost in the University’s first century and a half while it was a Catholic institution. Atop the head a saltire design is incorporated, referencing the apostle who gave his name to both the Royal Burgh and the University as well as the country who’s first university St Andrews is.
Heraldic shields display the arms of the University and of Pope Francis who invoked “upon all the staff and students of the University, past and present, the abundant blessings of Almighty God, as a pledge of heavenly peace and joy”. (more…)
Among the numerous rituals of the ordinary visitor’s pilgrimage to Paris — trip up the Eiffel Tower, lunch at a tourist-trap café — braving the teeming hordes in the Louvre to view da Vinci’s ‘Mona Lisa’ ranks near the top. What very few of the camera-toting hordes realise is that they are shuffling through the room that once housed France’s parliament. The history of the Palais du Louvre is long, exceptional, and varied.
Originally built as a stern castle in the 1190s, the Louvre’s secure reputation led Louis IX to house the royal treasury there from the mid-thirteenth century. Charles V enlarged it in the fifteenth century to become a royal residence, while François Ier brought the grandeur of the Renaissance to the Louvre — as well as acquiring ‘La Gioconda’. In 1793, amidst the revolutionary tumult, part of the palace was opened to the public as the Musée du Louvre, but the Louvre has always housed a variety of institutions — the Ministry of Finance didn’t move out until 1983.
Napoleon III took as his official residence the Tuileries Palace which the Louvre was slowly enlarged towards over the centuries to incorporate. The Emperor needed a parliament chamber close at hand so he could easily address joint sittings of the Senate and the Corps législatif (as the lower house was called during the Second Empire) which opened the parliamentary year. By doing so at his residence, the Bonaparte emperor was following the example left by his kingly Bourbon predecessor Louis XVIII. (more…)