From the Westchester Herald (as reprinted in the Times of London, 24 April 1835):

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As any fool knows, the great city of New York has as its patron and protector a great and holy saint, the wonderworker Nicholas of Myra (AD 270-343).

A great city and a great saint merit a great feast, and since 1835 the Society of Saint Nicholas in the City of New York has risen to the task of commemorating the holy bishop as well as rendering honour to our Dutch forefathers of old who founded New Amsterdam in the colony of New Netherland where the waters of the Hudson meet the Atlantic Ocean.

Blustering through the archives, it is rewarding to read of how this feast has been kept over the years.

This little snippet from The New York Times relays the St Nicholas Society’s feasting in 1877:

Sounds like quite a meal, but it was followed by toasts and responses appropriate to St Nicholas Day and to the city:

Just over a decade later in 1888, the Times again gives its report on what sounds like an amusing evening:

After an elaborate dinner had been discussed and as the coffee and long clay pipes were handed around, the old weathercock that Washington Irving gave the society was brought in and placed at its post of honor before the President, and the toast-making was begun. Austin G. Fox replied to the toast “Saint Nicholas,” and paid an eloquent tribute to the memory of W. H. Bogart of Aurora, N.Y., who had answered that sentiment at nearly every previous dinner.

The toast “The President of the United States” was drank standing and was lustily cheered. Ex-Judge Henry E. Howland made a witty response to “The Governor of the State of New-York,” touching upon every other imaginable subject but the one to which he was to respond, and James C. Carter responded to “Our City.” The Rev. Dr. J.T. Duryea spoke to “Holland,” and Warner Miller, in the absence of Gen. Sherman, replied to “The Army and Navy.” Joseph H. Choate made a characteristic reply to “The Founders of New-Amsterdam.”

The newspaper further relates that: “At the request of the St. Nicholas Society, Mayor Hewitt had flags displayed on the City Hall yesterday in honor of the festival of St. Nicholas, the patron of this city.”

In 1907, the Society’s members and guests marched into dinner at Delmonico’s two-by-two, preceded by a trumpeter and twelve servants “clad in the black and orange liveries of early Holland” escorting the newly elected president, Col. William Jay.

Another tradition of the evening kept each year was “the carrying round the great room of the bronze rooster that at one time surmounted the first City Hall built in New York by the Dutch in the seventeenth century”. The weathervane was presented to the Society by Washington Irving, its first Secretary, back in 1835. Some years the weathervane was oriented in turn to each speaker giving the response to the toasts accordingly.

Again, in 1907, one Dr Vandyke toasted the health of St Nicholas who “gladdens youth and makes the old seem young”. The Times relates:

“He explained that the long clay pipes which had been handed round to each guest was an old Dutch custom on St. Nicholas night. If a man got home with the pipe intact he was considered sober. Sad to relate, he said, it was the habit of those persons who had broken their own pipes to stand outside the tavern doors and break those of their more sober-minded brethren.”

While the St Nicholas Society has ancestral requirements for its membership, there are no such restrictions for the hospitable group’s guests. By the seventy-fifth anniversary of the Society in 1910, even we Irish we invited:

“William D. Murphy, who was called upon to give the toast of “Our City” said that he, an Irishman, was there at the feast for three reasons — first, because the Dutch founded the city; second, that the English took it away from them, and lastly, the Irish had it now.”

By 1919, New Yorkers were living in a changed world, with the war only just passed, and the dreaded Prohibition ever present. In that year, the Times reports that the speakers “expressed their opinions of Bolshevism, communism, and prohibition at their eighty-fourth annual dinner at Delmonico’s last night.”

Happily, these sons of Holland and devotees of Saint Nicholas kept his holy day festive despite the restrictions in place:

“Supreme Court Justice Victor J. Dowling, who was one of the speakers, expressed his thanks to the society for the Constitutional violations that had been provided for him.”

Lest you fear that the days (or nights) of celebrating this holy saint have faded into the folds of yesteryear, the Saint Nicholas Society of the City of New York is still in excellent health, and does not fail to keep the feast in accordance with the ways of its forefathers.

Indeed, the Society’s newsletter reported in 2018 that,

“Chief Steward Maximilian G. M. deCuyper Cadmus led the traditional procession of the Weathercock, which was raised high all around the room as members and guests energetically waved their napkins to generate a breeze that would waft him onto his perch near the lectern, facing east so as to crow out a warning in case of the approach of invaders from New England.”

This year the Society celebrated at the Union Club, and presented its Medal of Merit to the Harvard professor Henry Louis Gates, Jnr.

Washington Irving’s Legend of Sleepy Hollow — perhaps better known as the tale of the Headless Horseman — is inevitably and almost universally linked to the great feast of Hallowe’en.

There are obvious reasons for this in that Hallowe’en has become the festival of ghoulish otherworldliness, sadly now devolved into plastic mawkishness in a manner old followers of the Knickerbocker ways must surely condemn and mourn.

But this tale is always worth a revisiting; even now in early Advent.

Irving purists — we exist — might point out there there is no indication Ichabod Crane’s fateful evening ride through the Hollow took place on Hallowe’en.

Indeed, Hallowe’en is not mentioned at all in the text of the Legend, and all the author shares with us regarding the date is that it was “a fine autumnal day”:

…the sky was clear and serene, and nature wore that rich and golden livery which we always associate with the idea of abundance.

The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet.

Streaming files of wild ducks began to make their appearance high in the air; the bark of the squirrel might be heard from the groves of beech and hickory-nuts, and the pensive whistle of the quail at intervals from the neighboring stubble field.

It makes for a luscious harkening of old Westchester and the Hudson Valley in the early days of the republic.

Tastier still is the scene set as the Yankee newcomer Crane enters the home of an old Dutch household for the evening’s revelries:

Fain would I pause to dwell upon the world of charms that burst upon the enraptured gaze of my hero, as he entered the state parlor of Van Tassel’s mansion.

Not those of the bevy of buxom lasses, with their luxurious display of red and white; but the ample charms of a genuine Dutch country tea-table, in the sumptuous time of autumn.

Such heaped up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives!

There was the doughty doughnut, the tender oly koek, and the crisp and crumbling cruller; sweet cakes and short cakes, ginger cakes and honey cakes, and the whole family of cakes.

And then there were apple pies, and peach pies, and pumpkin pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums, and peaches, and pears, and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and cream, all mingled higgledy-piggledy, pretty much as I have enumerated them, with the motherly teapot sending up its clouds of vapor from the midst—Heaven bless the mark!

I want breath and time to discuss this banquet as it deserves, and am too eager to get on with my story.

Happily, Ichabod Crane was not in so great a hurry as his historian, but did ample justice to every dainty.

So celebrate Hallowe’en not with plastic costumes and cheap trinketry but with Dutch delicacies and tasty treats. (And for helpful suggestions, see Peter G. Rose’s Food, Drink, and Celebrations of the Hudson Valley Dutch.)

Put aside the vampire capes and risqué nurses’ kit and, amidst candles and pumpkins of all shapes and sizes, think of the Dutch Hudson of long ago that lingers still in heart and mind.

If there is any season which is plus New-Yorkaise que les autres then it must be autumn, and around the time of Hallowe’en in particular.

Thanks to the fertile imagination of Washington Irving, buried in the cemetery of the Old Dutch Church in Sleepy Hollow, the Hudson Valley is the spiritual home of this ancient Celtic feast now implanted in the New World.

The other day I dusted off the huge single-volume complete works of Irving – almost the size of an old Statenvertaling – and re-read his most famous tale, “The Legend of Sleepy Hollow”.

Irving describes the position of the Old Dutch Church:

The sequestered situation of this church seems always to have made it a favorite haunt of troubled spirits. It stands on a knoll surrounded by locust trees and lofty elms, from among which its decent whitewashed walls shine modestly forth, like Christian purity beaming through the shades of retirement. A gentle slope descends from it to a silver sheet of water bordered by high trees, between which peeps may be caught at the blue hills of the Hudson. To look upon its grass-grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace.

On one side of the church extends a wide woody dell, along, which raves a large brook among broken rocks and trunks of fallen trees. Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it and the bridge itself were thickly shaded by overhanging trees, which cast a gloom about it even in the daytime, but occasioned a fearful darkness at night. Such was one of the favorite haunts of the Headless Horseman, and the place where he was most frequently encountered.

The tale of the Headless Horseman is now, partly thanks to various popular reinterpretations of it, well known even outside the Hudson Valley. I remember as a wee lad growing up in that part of the world our Scout uniforms had a badge bearing the image of the “Galloping Hessian”.

The other day I started drawing up a list. It started out as a list of people you should know, but then it took on its own life in the realms of my imagination as an assemblage of notables whether of thought, word, or deed. There is, of course, an Académie française, so why not an Académie cusackienne?

Membership of this list does not necessitate approval or sanction. It is more that these are the stars that speckle the Cusackian sky and in some way shine down providing some form or another of illumination. Some I like, others I admire, others still I disapprove of but at least find amusing. (Some, such as that swine-herding relativist Maurice Barrès, I strongly disapprove of.)

As you might expect, it’s rather French-heavy, with a disproportionate dash of Magyars as well. Needless to say, very few of these illustrious academicians are still amongst the living. (more…)

The vexillological inheritance from our Netherlandic motherland

NEEDLESS TO SAY, New York owes a great deal to our Netherlandic founders, who imbued the city and land with much of its culture, eventually transformed (but not supplanted) by the overwhelming influence of the English who snuck a few warships into the harbour and knicked this land from the Hollanders. One of the many signs of New York’s Dutch history are the numerous flags which so obviously and proudly display this heritage. Here are just a few simple notes about a few of these flags.

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It was slightly remiss of us to neglect commemoration of the two-hundred-and-twenty-sixth anniversary of that genius of the Knickerbockers, Washington Irving. “Diedrich Knickerbocker,” “Jonathan Oldstyle,” “Geoffrey Crayon,” or, as he was baptized, just plain Washington Irving was born on April 3, 1783, exactly five months before the Treaty of Paris established the legal independence of his home state of New York and the twelve other former colonies along the Atlantic coast.

Irving was arguably the first American celebrity, and deservedly so. After a seventeen-year exile in England, France, Germany, and Spain, the author returned to New York in 1832, and a celebratory dinner was held in his honor at the City Hotel in New York on the evening of May 30. He is seen in this contemporary picture addressing those who assembled to render him honor, many of them from among the city’s political, cultural, and social elites. Indeed, the Saint Nicholas Society was founded just three years later for the preservation of the Dutch history and customs of New York, a noble task in which it continues to this day.

Alongside Miklos Banffy, Washington Irving is probably my favourite author. I have two sets of his complete works, and will obtain at least a third — my favourite printing of the complete Irving, in an excellent handy size — when I can find it for the right price. It is curious, but by no means suprising, that Irving’s genius is nearly forgotten today even though he was the first American to be an international superstar, famed on both sides of the Atlantic. He is mostly known only through his authorship of Rip van Winkel and The Legend of Sleepy Hollow, both of which works are rarely presented in their original written form, but almost always in shortened illustrated versions for schoolchildren from publishers convinced of their audience’s stupidity.

Irving is rarely in the limelight these days, but First Things Online recently published an informative article, “Washington Irving and the Specter of Cultural Continuity” by one Eric Seddon, that is well worth reading.

His first book, Dietrich Knickerbocker’s History of New York, capitalized on the amnesia of New Yorkers by a mix of biting satire and real history of the Dutch reign in Manhattan. The book is foundational to any study in American humor. It is wild, free, self-deprecatory, and merciless to the public figures of his day, and by turns lyrically funny, absurd, and reflective. Without it, we might wonder whether American humor, from Twain to the Marx brothers to Seinfeld, would have taken the particular shape it did.

When Americans, always prone to utopian daydreams, were in danger of taking themselves far too seriously, when the term “manifest destiny” was embryonic, Dietrich Knickerbocker rolled his bugged-out eyes, chuckled gruffly, and whispered into the ear of a young nation, “Remember thou art mortal.” […]

Irving’s two most famous stories are to be found in The Sketch Book, virtually bookending the text: “Rip Van Winkle” and “The Legend of Sleepy Hollow.” In “Rip Van Winkle,” Irving whimsically pointed out the hazards of the new Republic, that a once humble acceptance of life under monarchy could easily give way to arrogant corruption, vice, and the nauseating specter of being governed by village idiots with a gift for demagoguery. […]

The final warning of the book comes in the form of a Headless Horseman, who is either a real ghost of the Revolution or the town bully in disguise, and who targets, of all people, the schoolmaster (even small towns have their intelligentsia). Is it history chasing Icabod Crane, the puritanical teacher obsessed with stories of witch hunts, or just Brom Bones scaring him out of town? Irving doesn’t say, and perhaps our answers tell more about ourselves than about him.

Washington Irving spent his last days in Tarrytown, near the setting of his most famous story. He was a member of the local Episcopal Church, tried to revive the old Dutch festivities on St. Nicholas Day, and was moved to tears by singing the Gloria. In particular he loved to repeat the words “Glory to God in the highest, and on earth peace, and good-will to men.” Though his era was in many ways a bigoted one, he resisted and thereby helped to shape a better future. One of his last revisions to Knickerbocker came late, removing the anti-Catholic references its youthful version contained. He was a man who had seen his share of specters, to be sure, but who didn’t believe they were the strongest reality.

POOR RIP van Winkle; I always felt bad for him. He falls asleep for twenty years, and returns to his own native village where is now unknown and taken for some strange vagrant. “I am a poor quiet man, a native of the place, and a loyal subject of the king, God bless him!” he exclaims, in blissful ignorance of the Revolution which took place during his slumber. “A tory! a tory! a spy! a refugee! hustle him! away with him!” cry the by-standers.

I have long thought that Washington Irving was trying to make a subtle traditionalist point here: the definition of a good citizen has been arbitrarily changed. If a man was a good New Yorker in 1765 and hasn’t changed, why is he a traitor in 1785? It’s clearly ridiculous, except to proto-Jacobins and ideologues.

Anyhow, the lesson of the story: drink not from the flagons of odd-looking personages playing nine-pins amidst the Hudson Highlands.

Previously: Rip van Winkle

Flipping through an old book called ‘Magical City: Intimate Sketches of New York’, I came upon this sketch of the Gould Boathouse of Columbia University on the Harlem River by Spuyten Duyvil. I had never come across this little building before and had significant doubts as to whether it was still there, but to my pleasant surprise it does. I’m afraid I don’t know much about the boathouse nor its history, but here follows a number of photos and images of it, and of various Columbia boathouses of the past. (more…)

A very happy and blessed St. Nicholas Day to you all. St Nicholas is, as you all know, the patron saint of New York owing to our Netherlandish forefathers. Above you can see Lumen Martin Winter’s mural of St. Nicholas leading Peter Stuyvesant’s legion on their way to attack and take the Swedish fort of Christiania in New Sweden. The account of the battle by Washington Irving is hilarious and counts among my favorite selections of comic writing.

If you’d like to learn more about St. Nicholas, the St. Nicholas Center is a good place to start, as well as the holy bishop’s entry in the Catholic Encyclopedia.

It’s also Sofie von Hauch’s birthday. Tillykke med Fødselsdagen!

Previously: The Feast of St Nicholas

When was the last time you read the story of Rip van Winkle? If you’ve never had that pleasure, then you are all the worse for it, my friend. The tale was handed down to us through the ages by the munificence of one Diedrich Knickerbocker, though some sore-minded rapscallion later credited the ever-capable Washington Irving with its invention. Anyhow, it is one of my favorite tales in all the history of New York. It’s a short story, and worth a read online if you haven’t a printed copy immediately at hand.

The tale, of course, revolves around “a simple good-natured fellow”, namely Rip van Winkle, and his encounter with “odd-looking personages” whom still to this day show themselves around the Hudson valley. We merely have ceased to hear reports of them because thoroughly unimaginative types are in control of the world these days. (The “monotony monitors” as my Latin teacher monikered them, enforcing boredom and mediocrity at every possible opportunity).

The genealogists amongst you will be interested that Mr. Knickerbocker notes this van Winkle was “a descendant of the Van Winkles who figured so gallantly in the chivalrous days of Peter Stuyvesant, and accompanied him to the siege of Fort Christina.” Now, for want of fast-paced action, you may not have any particular desire to read about a simple, good-natured fellow like Rip van Winkle, but desires aside you must read “the Most Horrible Battle Ever Recorded in Poetry or Prose” (Chapter VII of Book VI of the same Diedrich Knickerbocker’s A history of New York, from the beginning of the world to the end of the Dutch Dynasty). The record of the siege of Swedish Fort Christina by the good New Netherlandish is the most hilarious and enchanting chronicle of any battle anywhere.

Today is the Feast of Saint Nicholas, one of my favorite saints. I’m not quite sure why he’s one of my favorites, but it probably has something to do with being the Patron Saint of New York, the greatest land there ever was. Unfortunately, he’s a somewhat neglected saint, perhaps even abused and overwritten as “Santa Claus”, the secular, materialist idol of the marketplace which has usurped both Nicholas’s heritage and subsequent reinvation a la Washington Irving et Thomas Nast.

There are many fine legends of the good Saint, most of which you can find at the most excellent resource which I highly recommend known as the St Nicholas Center.

St. Nicholas was once fairly represented in the great metropolis which he watches over. Above he is seen in the sanctuary mural behind the altar at the Church of Saint Agnes – the best parish in all Manhattan. The mural was actually painted by Sean Delonas, a cartoonist for the New York Post. One of the cherubs pulling at St Nicholas is the son of the muralist.

Behold, the church that was once called New York’s ‘Protestant Cathedral’. It’s hard to believe it’s gone, though I was born after it was demolished to make way for the Sinclair Oil Building. The Collegiate Church of St Nicholas was the oldest congregation in the City, founded in 1628 and housed in this late-nineteenth century building on Fifth Avenue. This photograph by Abbott shows Rockefeller Center rising in the background.

Surprisingly, the congregation – of which some of the most wealthy knickerbockers were members – did not build a new church, instead worshipping at a variety of different locations. I believe it is now dissolved, though perhaps it merged into the West End Collegiate Church.

Perhaps you should join me in reading A history of New York, from the beginning of the world to the end of the Dutch Dynasty by Diedrich Knickerbocker, Washington Irving’s superb masterpiece of New York mythology. Above is an old rendering of Sunnyside, Washington Irving’s home in Tarrytown.

I’m in the midst of Book II, the more interesting part. However, reading books online is rather irritating, and a strain on the old eyes, so I might give in sometime soon and get Ottakar’s to order it in. (Actually, I might be able to get a nifty ‘thift edition’ on Amazon.co.uk). Sadly, Ottakar’s don’t believe in stocking the classics of New York literature. And so we must mourn for them.

St Andreans were all quite intrigued by the arrival of an Ottakar’s branch, but it’s turned out to be all in vain. Though it is bigger than any other bookshop in town, that’s not saying much, and the rumours that it would be two floors have turned out to be woefully untrue. Give me the Strand and it’s eighteen miles of books (used to be just eight miles) any day of the week.

Chain bookstores are atrocious anyhow and are best avoided when it comes to purchasing. Whenever I feel like book browsing in Westchester, if I don’t feel satisfied by the Womrath Bookshop on Pondfield Rd in Bronxville then I will browse Border’s on White Plains Road in Eastchester (or Scarsdale, as it claims), find something interesting, and order it from Womrath’s. The Strand is the best because it gives you 1) the varied selection usually only available at massive chain stores, 2) the quality of service of independent bookshops, and 3) the added bonus of used books, which are quite often better editions than more recent reissues. Eighteen miles of books, people! That’s insane.

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