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2018 January

Supermac and the Sarduana

Macmillan’s Attitude to Class and Race in the Late Empire


Left: Harold Macmillan touring Africa in 1960; Right: Sir Ahmadu Bello, the Sarduana of Sokoto.

Staying over with some Kenyan friends in Wiltshire the other day, the old observation came up that, after the war, the officers settled in Kenya while the sergeants went to Rhodesia. While some of the leading lights of UDI had, in fact, been officers — Ian Smith an obvious case — it’s interesting to note that most of them came from humble backgrounds.

“Smithie” was born well-off in Rhodesia but his father had been a butcher’s son who went out to Africa and made good. Clifford Dupont, the first president of the Rhodesian republic, was born in London of poor East End Huguenot stock. His father had done well in the rag trade and got his son to Cambridge; Clifford became an artillery officer before emigrating to Africa.

Rhodesian Prime Minister Roy Welensky’s father was a Russian Jewish horse smuggler who married a ninth-generation Afrikaner. Roy was the couple’s thirteenth son, and left school at 14 to work on the railways and found success through the trade union movement.

Harold Macmillan, meanwhile, was a Guards officer and Old Etonian who had studied at Oxford. His famous ‘Wind of Change’ speech was just part of the British prime minister’s grand tour of Africa. “Supermac” started in Nigeria, where — unlike in some other parts of the continent — much of the native aristocracy had been preserved and coopted throughout colonial rule.

Proving Orwell’s observation that the English are the most class-ridden nation on earth, the PM felt comfortable amongst black African patricians in a way he couldn’t amongst members of the ruling white African elite from humble backgrounds.

In one of the ICBH’s oral history group discussions, Perry Worsthorne relates:

Somebody at some point has to mention, in any discussion of British politics, snobbery and class. I remember travelling and reporting on the ‘Wind of Change’ speech. We went to stay on the last bit, just before going on to Salisbury, was it the Sardauna of Sokoto who was he the premier of the Northern Nigerian region. Macmillan talked to us after he had seen him, he was flying on to Welensky the next day.

Macmillan used to have a sundowner with the correspondents covering his trip, and over whisky and sodas he told us how much more at home he felt with the Sardauna, who reminded him of the Duke of Argyll – ‘a kind of black highland chieftain’ – than he would feel in Salisbury as the guest of a former railwayman, Sir Roy Welensky. Snobbery, pure snobbery.

The British metropole was always ready to make racial distinctions and discriminate accordingly, yet it still tended to look upon outright racism with an air of disdain, as something slightly unsporting (or worse: foreign).

In the imperial periphery, racial attitudes amongst whites often differed greatly from Britain. This was most obviously so in South Africa, which for all intents and purposes embarked upon a radical revolutionary rejection of the British model of governance from 1948 with the implementation of apartheid. Rhodesia, needless to say, was another exception, if arguably more mild. “How different it would all have been,” Worsthorne somewhat patronisingly wondered, “if Ian Smith had been a gentleman.”

Meanwhile Nigeria’s Sir Ahmadu Bello — the Sarduana of Sokoto — was a statesman of cautious action, and his refusal to become Nigerian prime minister upon independence (he preferred sticking to his existing role as the powerful premier of the northern province) sadly deprived the federal state of the wisdom and experience which may have prevented its later descent into disarray. He was murdered by Major Nzeogwu during the 1966 coup d’état.

Differences of race or class aside, it’s telling that both the white low-born railwayman Welensky and the black patrician Bello ended up as knights of the realm.

Sir Roy Welensky with Harold Macmillan
January 30, 2018 2:30 pm | Link | 5 Comments »

Lionel Smit

Suid-Afrikaanse portretskilder

Ek’s te midde van ’n portret geverf te word deur ’n skilder (’n prettige en boeiende proses) en dit laat my oor vandag se portretkuns dink. Figuurlike beelde is altyd met menigte gewild maar in die ryk van die kunswêreld is dit anders: Abstrakte kuns is nog steeds koning. Modes opsy, die wens vir die menslike vorm — die begeerte vir mekaar — is nog ewig.

Een van die mees geskoolde portretskilders vandag is die Pretoriaanse kunstenaar Lionel Smit (geb. 1982).

’n Skilder en beeldhouer, Mnr Smit woon en werk in Kaapstad en is die wenner van ’n ministeriële toekenning vir bydrae tot visuele kuns van die Wes-Kaapse regering. Sy werk is reeds ingesluit in die visuele kunste eksamen vir die Nasionale Senior Sertifikaat. Nie sleg vir ’n kêrel in sy dertigerjare!

Smit se skilderye herriner my aan die werk van die Engelse skilder Catherine Goodman. Hier is net sommige van sy portrette.

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January 11, 2018 12:25 pm | Link | 2 Comments »
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