When I was a youngin’, one of the joys of Sundays was the trip to the bakery and the newsagent after church. A vast array of newspapers was on hand for perusal while Pop nipped into Topps Bakery next door. We usually only bought The European, but I browsed everything on hand. One of the available titles was the New-Yorker Staats-Zeitung, founded in 1834, and the oldest German newspaper in the New World. The “Staats” was daily from 1854 until 1953, when it went weekly. In the late 1930s, the circulation was about 80,000, falling to 25,000 in the late 1990s, and stands around 10,000 today. It seems a pity that this “New York” newspaper is now edited from Sarasota, Florida instead of from Manhattan, but at least the Staats-Zeitung survives.

I’ve sometimes thought that the Director of the Metropolitan Museum is New York’s unofficial Minister of Culture. Concerned New Yorkers were at the edge of their seats with anticipation to discover who would be chosen to direct this great museum once it was announced that the legendary Philippe de Montebello was relinquishing the throne. As The New Criterion put it “Few events have been awaited with more trepidation in the world of culture — we were going to say ‘the art world,’ but it embraces much more than that — than the appointment of the next director of the Metropolitan Museum of Art.”

The massive sigh of relief when Thomas Campbell was announced as the successor could probably be heard as far as the Louvre (or even the Hermitage), even though Campbell’s name was on none of the supposed shortlists for the job. Judging by his past as curator of tapestries, Campbell is widely believed to be utterly reliable at continuing the high standard maintained during de Montebello’s reign. May God guide him well in his task! (more…)

I’ve long suspected that most cars permanently inhabit the best parking spaces in Manhattan — their owners wary to leave them for fear of giving up that spot. But every now and then you get that spot. In my case, it’s through the intercession of St. Martin de Porres, who likes to make sure this altar-server makes it to St. Agnes next to Grand Central every Sunday with time to spare.

The Prince & Princess of Orange Celebrate 400 Years of the Hudson

THE CONNECTIONS BETWEEN New York and the Netherlands go back far; back to the very beginning indeed, to 1609 when Henry Hudson, in the service of the Dutch, first set eyes on the greatest harbour of the Atlantic seaboard. The four-hundredth anniversary of that event brought the Prince and Princess of Orange, the heirs to the Dutch throne over to old New Amsterdam for the culmination of the year’s quadricentenary celebrations.

After their arrival in the Empire State, Prince Willem-Alexander and Princess Maxima sped straight up the Hudson Valley to West Point, the pearl of the river. The Kingdom of the Netherlands and the United States are official military allies, with at least 1,770 Dutch soldiers serving in Afghanistan, plus an undisclosed number of special forces from the Korps Commandotroepen. (more…)

AFTER AN ABSENCE of some years, Columbia University has returned the crosses to its official crown emblem. The crosses had been missing since March 2004, when they were replaced with trapezoidal lozenges, but the more historic cross design has quietly returned to favour as the Ivy League institution’s official symbol. Columbia was founded in 1784, but claims the earlier heritage of King’s College, founded in 1754 but exiled to Nova Scotia, where it now has university status, after the tumult of the American Revolution. A copper crown (right) was originally attached to the cupola of College Hall, King’s College’s home in the colonial city of New York. When Columbia was founded in 1784, a year after New York’s independence was recognized, the state legislature gave the property and endowment of King’s College to the new Columbia College, which was organized by the remaining non-Loyalist members of King’s College. (more…)

The Kingdom of the Netherlands has very kindly set up a website devoted to the four-hundredth anniversary of Hudson’s discovery of what is now New York. Hudson, though English, was in the service of the Dutch and it was the Netherlandic people who eventually got the place settled. Because of his Hollandic overseers, Henry Hudson’s Christian name is often romantically Dutched up to Hendrick — hence one of the local high schools in Westchester is called “Hendrick Hudson High School”.

Queen Elizabeth II & the Duke of Edinburgh attend a ball in their honour at the Seventh Regiment Armory in New York; October, 1957.

The vexillological inheritance from our Netherlandic motherland

NEEDLESS TO SAY, New York owes a great deal to our Netherlandic founders, who imbued the city and land with much of its culture, eventually transformed (but not supplanted) by the overwhelming influence of the English who snuck a few warships into the harbour and knicked this land from the Hollanders. One of the many signs of New York’s Dutch history are the numerous flags which so obviously and proudly display this heritage. Here are just a few simple notes about a few of these flags.

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Jasper Francis Cropsey, A View in Central Park — The Spire of Dr. Hall’s Church in the Distance
Oil on canvas, 17⅛ in. x 12⅛ in.
1880, Private collection

THE HUDSON RIVER SCHOOL artist Jasper Francis Cropsey has obtained of late an almost cult-like following, the kool-aid being distributed from the well-oiled machinery of the Newington-Cropsey Foundation in Hastings-on-Hudson, New York. Whether the object of worship is worthy of the faithful’s adulation is a matter of some speculation, but it’s admittedly refreshing to see a fan base surrounding a painter of the old school rather than one of the numerous gimmicky hacks floating around the New York art scene these days. Cropsey (like most Hudson River painters) is known for his luscious landscapes, so I thought it markedly unusual when I stumbled upon this painting, a cityscape. The artist’s vantage point is from The Pond in Central Park, looking over Fifty-ninth Street (Central Park South) towards where the old Plaza Hotel now stands. (more…)

ICA&CA 2009 Fellows’ Summer Lecture Series

One of our greatest institutions here in New York is the Institute of Classical Architecture & Classical America which does such splendid work in propagating knowledge about and training in classical architecture and its allied arts. Every summer the ICA&CA presents a series of summer lectures, the first of which takes place next Wednesday. This year the series will be held in the library of the General Society (f. 1785), New York’s last remaining guild, whose 44th Street headquarters house the Institute’s offices.

Julian Oliver Davidson, The Hudson River from the Tappan Zee
Oil on canvas, (size not on record)
1871, Private collection

Francis Augustus Silva, On the Hudson near Tappan Zee
Oil on canvas, 20 in. x 36 in.
1880, Private collection

Francis Augustus Silva, The Hudson at the Tappan Zee
Oil on canvas, 24 in. x 42 3/16 in.
1876, Brooklyn Museum

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THE ORGAN AT the Church of the Holy Apostles on Ninth Avenue in Chelsea has a brief history that spans three lands: the Netherlands, Texas, and New York. Mr. Joseph Mooibroek of Fairview, Texas was born in the Netherlands but emigrated to the United States in his youth and found his fortune there. Mr. Mooibroek (whose surname is Dutch for “beautiful trousers”) and his wife wanted an organ for the great hall of the castle they built in Texas, and appropriately he chose the Dutch firm of Van den Heuvel to construct the organ in 1994. Among Van den Heuvel’s other works are the organ at Saint-Eustache in Paris (1989, the largest organ in France), and that in the Duke’s Hall of the Royal Academy of Music in London (1993).

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Childe Hassam, Allies Day, May 1917
Oil on canvas, 36½ in. x 30¼ in.
1917, National Gallery of Art (U.S.)

This has long been one of my favourite paintings, ever since I first saw it one day when I was very young while it was on loan to the Metropolitan. On a May day in 1917, Fifth Avenue was temporarily proclaimed “the Avenue of the Allies” and the British and French commissioners paraded down the boulevard with great ceremony. Childe Hassam set his easel on a balcony on the corner of Fifth Avenue and 52nd Street and took in the splendid scene towards the Church of St. Thomas and the University Club. Patriotic displays were much more lively then, involving bursts of flags and banners, than the rather dull and monotonous display of the single Stars-and-Stripes that became widespread after the World Trade Center attacks.

Interestingly, “Avenue of the Allies” aside, the United States was not actually allied to France and Great Britain during the First World War. President Wilson thought the United States was not so lowly as to merely intervene in a biased manner on the side of those it had lent money, but rather for the high-minded goal of establishing justice (or, as we might honestly call it, the destruction of Catholic Europe). The U.S., then, was merely a “co-belligerent” rather than an “ally”, though obviously this high-minded euphemism was lost on most people. During the Second World War, Finland found itself invaded by the Soviet Union and abandoned by the West, so — having no taste for Hitler and his Nazi charades — they became “co-belligerents” with Germany, rather than concluding a more distasteful alliance.

Hassam, who died in 1935, had little time for the avant-garde schools of art that came after the Impressionism he practised, and described modernist painters, critics, and art dealers as a cabal of “art boobys”. He was almost forgotten in the decades after his death, but the rising tide of interest in Impressionism from the 1970s onwards lifted even the boats of American Impressionists, and his Flags series of paintings are widely-known and much-loved today.

Not even the peaceful hills and dales of the Hudson Valley were left untouched by the liturgicalism of the Oxford Movement

SUCH WAS THE influence of the nineteenth-century “Oxford Movement” in the Church of England that it engulfed the great preponderance of the Anglican Communion. It is surprising when you consider that Anglican priests and even a bishop were jailed in England for such scandalous acts as calling the Communion service “the Mass”, wearing vestments, and putting candles on the altar; these are now so widespread in the Church of England to be commonplace. But the Oxford movement also spilled out into other Protestant groups as well. The liturgical movement changed the Church of Scotland in the 1900s, and many of the Kirk’s medieval church buildings that had been converted into pulpit-centered preaching halls were reordered in a way emphasizing the “Communion table” that was an altar in all but name. (Those who can find before & after shots of the ‘Toon Kirk’ of Holy Trinity in St Andrews, Fife will notice this marked contrast).

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The Annual Ball of the Old Guard of the City of New York, Commodore Hotel, 1949.

Flipping through a military journal from early 1956, I stumbled upon a rather depressing note announcing the Seventh Regiment’s plans for celebrating its 150th anniversary. A reunion of old comrades on Thursday May 3, then a grand review the following day, and topped off by a formal ball on the evening of Saturday May 5 at the regiment’s beautiful armory on Park Avenue at 67th Street.

Why should such a splendid celebration spark dour thoughts? Chiefly because, having survived over a century and a half since the unit was founded amidst pints of ale in the Shakespeare Tavern on the corner of Nassau and Fulton, the Seventh Regiment was abolished before it could celebrate its 200th anniversary in 2006. The Seventh was deactivated as a regiment in 1993, though its “lineage” was transferred to the 107th Corps Support Group, which in 2006 was “consolidated” into the 53rd Army Liaison Team. The regiment’s unique collection of historical artifacts — the legal property of the Veterans of the Seventh Regiment — was seized by the State in an act of highly dubious constitutionality and its armory, built without a cent of public money from the pockets of the regiment’s members in the 1880s, was also taken and transferred to a conservancy to run it as an events & performing arts venue, over protests from both veterans groups and the local community.

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The Pope sends New York a genial, beer-swilling man of an archbishop

The Most Rev. Timothy Michael Dolan, the newly installed Archbishop of New York, has a reputation as a genial beer-swilling giant that will doubtless serve him well as he takes possession of his new see. With a Ph.D. in Church History, Archbishop Dolan formerly served as Secretary to the Nuncio in Washington, D.C. before becoming Rector of the Pontifical North American College in Rome — the “West Point” of the Catholic Church in Anglo-America. Having improved the NAC’s reputation both in studies and in orthodoxy, Msgr. Dolan was then sent by the Holy Father to be an Auxiliary Bishop in the Archdiocese of St. Louis. From there, our man was given the charge of see himself, that of Milwaukee.

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The New York Times offered a little sidebar on the heraldry of our new ecclesiastical boss in its coverage of Archbishop Dolan’s installation, and Fr. Selvester offers his commentary as well.

It was slightly remiss of us to neglect commemoration of the two-hundred-and-twenty-sixth anniversary of that genius of the Knickerbockers, Washington Irving. “Diedrich Knickerbocker,” “Jonathan Oldstyle,” “Geoffrey Crayon,” or, as he was baptized, just plain Washington Irving was born on April 3, 1783, exactly five months before the Treaty of Paris established the legal independence of his home state of New York and the twelve other former colonies along the Atlantic coast.

Irving was arguably the first American celebrity, and deservedly so. After a seventeen-year exile in England, France, Germany, and Spain, the author returned to New York in 1832, and a celebratory dinner was held in his honor at the City Hotel in New York on the evening of May 30. He is seen in this contemporary picture addressing those who assembled to render him honor, many of them from among the city’s political, cultural, and social elites. Indeed, the Saint Nicholas Society was founded just three years later for the preservation of the Dutch history and customs of New York, a noble task in which it continues to this day.

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