“He also makes a good patron saint of Britain because of his character. He was particularly humble and believed in talking directly to people. When he was given a horse by King Oswald of Northumbria, he immediately gave it away because he was worried that he would not be able to communicate properly.

“He was also not shy of reprimanding the mighty and powerful about their failings. He saw it as part of his job to remind secular rulers not to get above themselves. At a time when we are thinking about what makes Britishness, he had a sense of openness and diversity for his time that I think makes him a good candidate as the patron saint of Britain.”

Find out more in this article:
“Home-grown holy man” (The Independent, 23 April 2008)

On a somewhat similar note, here’s Aelianus (one of our favourite bloggers) writing on British Identity last September.

Millions of tax dollars taken from hard-working Americans are going to subsidise one of the wealthiest school districts in the country

The Bronxville School (as it is called, since all grades from kindergarten to 12th are in the same building) ostensibly has a number of things going for it. It has a rather splendid collegiate gothic building in an excellent setting in one of the handsomest villages in all of the Empire State. Its school district is a mere square-mile, meaning most students can walk to school and it doesn’t even have a bus system. It has a private foundation funded independently by parents and alumni to support the school. What more could a public school possibly need?

Well, according to the geniuses down in Washington, D.C., $5.4 million in federal grants. The school, you see, is built on a site which frequently floods. Our main street in Bronxville is called Pondfield Road for a reason: the field with the pond is the open space where the school now stands. It’s been flooding for decades and so floods should come as no surprise. The nor’easter that blew through town a year ago flooded the school severely, closing it for over a week. The flooding was particularly bad during the last nor’easter because the school had spent a great deal of money (privately-raised, not from the public purse) to replace its natural football field with a lower-maintenance fake turf alternative. They did this instead of saving the money for, oh, say, one of those floods that happens every so often.

The money has been secured from the Federal Emergency Management Agency by our congresswoman, Nita Lowey (D). “When a natural disaster occurs, the federal government has a responsibility to help communities recover,” said Lowey, who neglected to provide any legal or moral backing for such an untruthful and baseless claim.

The school district of one of the wealthiest communities in the country is filching off the hard-working people of America in order to clean up the mess that is a direct result of its own poor spending decisions and inability to plan properly. Is there no shame?

Where can you find a model for the laity, a renegade bishop, a row of classical townhouses, an historic electoral victory for the Right, a loyal princess and a wayward prince, a call for partition, and some splendid ceremonial?

Why, the latest Norumbega of course!

Note: This was just sent me by a mutual friend of Herr Zmirak and myself. At first thought it was a wry parody of a ZENIT article but, lo and behold, it is actually a real ZENIT article praising this loyal son of the Empire State (who proudly boasts of his descent from subjects of the Hapsburgs).

Stand-up Apologist
John Zmirak Called to Be Church’s Comedian

by Elizabeth Lev

VATICAN CITY, APRIL 23, 2008 (Zenit.org).- In his 1980 novel “The Name of the Rose,” Umberto Eco dedicated a lengthy erudite section to the question, “Did Jesus Laugh?” Reading the works of Catholic author John Zmirak, he probably laughs a lot.

John Zmirak, a Queens-born author, journalist and apologist, regaled students and adults alike last week in Rome during the launch of his new book “The Grand Inquisitor.”

I spoke to Zmirak about how he reconciled a rapier wit with an ironclad faith, and was fascinated to hear the story of how this prickly pear of piety sprouted in the heart of 1970s Queens.

The first of Zmirak’s guides follows the liturgical calendar, covering the various feasts and seasons with his jovial wit and banter. In the second guide, John gives us a jaunty and alcohol-tinged A-to-Z journey through the Faith. But John Zmirak bears the scholar’s cap as well as the jester’s. Here’s his introduction to the life and work of Wilhelm Röpke, the Swiss architect of Germany’s postwar economic miracle.

While other adolescents challenged authority by flaunting curfews or smoking, Zmirak was a youthful rebel for God. During his sophomore year, his religion teachers at his local Catholic high school began teaching notions contrary to the faith. Not being particularly well formed, Zmirak absorbed the doubts and contradictions until one day he was told that the transubstantiation — the change of bread and wine into the body and blood of Christ — wasn’t real.

The 15-year-old student balked, remembering vividly his mother explaining that when the bells rang “the bread turns into God.” (This by the way, is a reminder of the centrality of the role of parents in the formation of children.)

Zmirak found a Catechism and read the Church’s teaching for himself. Outraged, the teenager began a letter-writing campaign to his local bishop, persevering in the face of indifference and even hostility. One can almost imagine Zmirak as an early Christian martyr, proclaiming his faith and poking fun at his persecutors even as he faced the lions in the arena.

Zmirak’s unique perspectives and fine mind won him a scholarship at Yale, where he faced the full gale of secular intelligentsia. But he soon realized that it wasn’t the finely reasoned arguments against the tenets of Catholicism that were weakening the faithful, but ridicule.

Zmirak has an unusual take on what undermined the faith of Catholics in America. “It wasn’t eroded by earnest atheists and intellectual attacks,” he states. “What broke down ordinary people was a thousand clever comedic skits.”

So George Carlin and Saturday Night Live’s Father Guido Sarducci are responsible for the rise of the “cafeteria Catholics?” Zmirak says yes. “If you get people laughing, whatever your message is, it slides in unnoticed under the door.”

And thus Zmirak found his vocation. He thought that if humor could be used against the Church, then it could be used for it.

Two of the author’s most popular books are “The Bad Catholic’s Guide to Good Living” and “The Bad Catholic’s Guide to Wine, Whiskey and Song.” Like handbooks for fraternity boys, these books dream up parties, games and drinking activities, all laced with good humor and anchored in Catholic belief.

The good-living guide is dedicated to the fine sense of humor of the Pope John Paul II. Zmirak points out that the Pope not only brought down the Iron Curtain, but also won hearts with his refreshing comedic moments. Even a generation raised on Seinfeld and Monty Python found him accessible.

His guide follows the liturgical calendar with hilarious takes on the individual feasts and recipes and party ideas to celebrate them. In the pages of his book, every day is a reason to make merry in the Catholic world.

The “Guide to Wine, Whiskey and Song” is the rarest of things — a successful sequel. From A to Z, Zmirak runs through the most well-stocked liquor cabinet imaginable, tracing every form of spirit and elixir back to its Christian origin. In the finest of traditions, he also provides drinking songs, the funniest being Monty Python’s “Philosopher Song” reworked to feature heretics.

Zmirak’s latest effort, “The Grand Inquisitor” is a different genre for him, a graphic novel. Dubbed the anti-“Angels and Demons,” the story is set during a conclave, involves kidnapped cardinals, but champions the cause of orthodoxy and fidelity to the magisterium.

“The Grand Inquisitor” features all the staples of a good noir thriller — dark, graphic design, striking portraits and flashes of razor sharp wit — but contrary to genre which invariably transmits an anti-Christian message, Zmirak’s story is rooted in love for the Church.

After several days with John Zmirak, it became clear that a deep faith and great intelligence provide ballast for what seems to be Christendom’s first stand-up comic. A refreshing reminder of how it takes all kinds to make the Catholic Church.

Today is St. George’s Day.

On this day in 303, St. George was killed; in 997, St. Adalbert of Prague died; in 1014, Brian Boru defeated the Vikings at Clontarf; in 1348, the Order of the Garter was founded by Edward III; in 1564,William Shakespeare was born; in 1616, both Miguel Cervantes and William Shakespeare died; in 1635, the Boston Latin School was founded; in 1661, Charles II was crowned at Westminster; in 1725, St. Gerard Majella was born; in 1775, J.M.W. Turner was born; and in 1794, Guillaume-Chrétien de Lamoignon de Malesherbes was guillotined for his defense of King Louis XVI before the Convention.

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A vignette from the Holy Father’s recent youth rally in Yonkers:

From For God, For Country, and For Yale, via Benedicite, Pater reverende.

The Church of Our Lady of Esperanza, 156th Street & Broadway. The Church was built by Archer Huntington at the urging of Doña Manuela de Laverrerie de Barril and designed by Huntington’s brother Charles. The sanctuary lamp was a gift from King Alfonso XIII of Spain. The present façade dates from 1924, when the Church was expanded under the direction of Lawrence G. White, the son of Stanford White of McKim Mead & White and himself a partner in his father’s firm.

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What’s this? A building built from the ground up by a developer in New York, and designed to look like a New York building? Something to look forward to at 211 Elizabeth Street.

No, this isn’t a photograph of the latest Norumbega staff meeting, it’s a publicity shot from the upcoming United Artists film, “Valkyrie”. The film tells the story of Claus Philipp Maria Schenck von Stauffenberg, the heroic German Catholic noble who was the mastermind behind the July 20 plot against Hitler. Needless to say, there has been much anticipation over this film, especially since the lead role went to Tom Cruise, who has never quite got the knack of acting. Like Jeremy Irons, he seems to believe that completely different characters require little or no change in performance, but is mysteriously still making films nonetheless. (Cruise at least has the excuse of being a Scientologist to explain his success… what’s Jeremy Irons’s?).

Despite the poor choice of Mr. Cruise play Count Stauffenberg, the rest of the cast includes some pretty inspired choices. Playing Countess Nina von Stauffenberg is Carice von Houten (above), whom you will remember from “Zwartboek”. She’s joined by fellow “Zwartboek” actor Christian Berkel (top photo, seated far left), who played the evil General Kaütner in the Dutch film, the character responsible for the downfall of the good German, General Müntze, who was played by Sebastian Koch (better known for his role in the hit “Das Leben der Anderen”) who (pause for breath) actually played Count Stauffenberg himself in a 2004 German television production called “Stauffenberg”. Speaking of downfalls, Berkel (we’re back to him now) also played a nasty Nazi in the 2004 film “Downfall” depicting the last few days in Hitler’s bunker. [Correction: Berkel actually played Dr. Ernst-Günter Schenck, one of the good guys.] Some more of the cast…
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The national library is one of our underappreciated architectural achievements. Henry Hope Reed put together a handsome tribute to and record of the building. What a shame it is located in Washington, D.C.

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Introducing cusack.norumbega.co.uk, my new blog over at Norumbega. One of the inherent problems I always faced with andrewcusack.com was that once I had a nice, handsome post up top, I rarely wanted to disturb it with any further posts. This was especially so if I had just a very brief blog post in mind, given that once a post is made it has sometimes been weeks before I can make another one.

Part of the thinking behind Norumbega is that I will have the fortnightly features section for the somewhat swankier blog posts with my own side-blog for little things that can be updated whensoever I feel the need. So does this mean that andrewcusack.com — Banned by the Scottish Executive! Tori Truett’s lunchtime reading! Repository of miscellaneous arcana! — is like to die? Nay, good Sir. It is still here and so it shall remain. Some of the longer articles will be improved and then regurgitated over at Norumbega; everything that is here shall remain here. It’s a bit like the Lord Great Chamberlain… I’m not entirely sure what function it will serve but I have no doubt it should not be gotten rid of.

Perhaps now would be the appropriate time to thank certain people.

Firstly, Alex Singleton, founder of the Globalisation Institute, who first thought up the idea of yours truly having a proper blog and obtained andrewcusack.com for me when my technical expertise in that department was nil.

Secondly, Col. & Mrs. Matthew G. Cusack. My aunt and uncle were kind enough to pay for two whole years of this site while I was but a poor, penniless student in Scotland. I am grateful to them for much more than I can ever possible enunciate, but I thought this was at least one thing that I could mention specifically.

And I hope you are grateful to them as well!

Doesn’t it often seem that as soon as something you actually like comes along, it’s only a short amount of time before it’s gone again? This is how I feel about the latest, and indeed last, logo and general visual identity of the Bank of New York. Readers are no doubt aware that the Bank of New York is the oldest bank in America (founded by Alexander Hamilton) and that its was the first share traded on the New York Stock Exchange when that great financial market was founded beneath a buttonwood tree in 1792.

In 2005, the Bank of New York finally dumped their 1980’s-feel, dated-but-traditional logo in favor of a new design put together by the New York brand house of Lippincott (then still known as Lippincott Mercer). The logo suggested an old stock or bank note but its polychromatic scheme gave it a modern vibrancy. The adjacent logotype was along similar lines: “Bank” and “New York” in a tasteful, restrained modern with “The” and “of” in a delightfully traditional fluid colonial script.

But on July 1, 2007, the ancient Bank of New York merged with a foreign interloper, the Mellon Financial Corporation of Pennsylvania and the disgusting hybrid child of the marriage is cumbersomely monikered: “The Bank of New York Mellon”. How awkward and ungainly! Along with the merger came a new logo, also designed by Lippincott, which you can see on the BNYM website. This pitiful modern arrowhead design says little, other than one might suffer bodily harm at its handling.

The 2005 Bank of New York logo evoked a sense of solidity. “I have deep roots and firm foundations,” it seemed to say, “but am nonetheless modern and adapting to change”. Think of the feel, the smell, of a worn bank note and then compare it to the dull, prickly arrowhead which threatens injury. The old logo you stick in you pocket and gain a sense of security from. The new logo you worry a ninja might hurl at you.

It was an error even to change the name, if you ask me. “The Bank of New York” has such a simplicity and a solidity to it, which the new name rather lacks. It is just like the old New York law firm of Dewey Ballantine, which suffered a takeover recently and is now known as “Dewey and LeBoeuf”. Rather sounds like a pair of huckster Louisiana lawyers hoping to make a few off the innocent inhabitants of the Bayou. So stick to the tried and the true, folks. It usually works.

‘Rethinking Russia’, by Andrew Cusack, insidecatholic.com, 20 March 2008.

Herald Square, at the confluence of Broadway and the Avenue of the Americas.

Vatican to Review Case of Inexplicable Healing of Florida Woman

The seemingly inexplicable healing of a Baptist woman from Florida may provide the miracle necessary for the canonization of Emperor Charles of Austria. The woman, in her mid-50s, suffered from breast cancer and was bedridden after the cancer had spread to her liver and bones. Despite treatment and hospitalization, doctors diagnosed her case as terminal. But after intercessory prayers to the Emperor Charles, the woman (who wishes to maintain her privacy and remain unnamed) was completely healed.

The story begins when Joseph and Paula Melançon, a married couple from Baton Rouge, Louisiana and friends of the healed woman, travelled to Austria, where they met Archduke Karl Peter, son of Archduke Rudolf, and grandson of the holy Emperor Charles. The Archduke invited the couple to his grandfather’s beatification in Rome in 2004. Mrs. Melançon gave the novena to Blessed Charles to her sister-in-law, Vanessa Lynn O’Neill of Atlanta.

“I knew that when I got that novena — I knew that my mother’s best friend was sick — I just knew at that moment that it was something I was going to do,” Mrs. O’Neill told the Florida Catholic in an interview. “And that is how I got started, I just prayed the novena.”

The woman’s recovery was investigated by an official church tribunal consisting of Father Fernando Gil (judicial vicar of the Diocese of Orlando), Father Gregory Parkes (chancellor of canonical affairs of the Diocese), Father Larry Lossing, diocesan notary Delma Santiago, as well as an unnamed medical doctor. The tribunal examined the evidence at hand and invited the participation of medical experts, who could find no earthly explanation for the woman’s recovery.

“Other alleged miracles attributed to the intercession of Blessed Karl I are currently being investigated in different places in the world,” Fr. Gil said.

The sixteen-month investigation has now concluded, and the conclusions have been signed by the participants, sealed, and placed in special boxes which are then themselves tied, sealed with wax, and sent to the Congregation for the Causes of the Saints in Rome via diplomatic pouch. The Congregation will examine the case further and then present its findings to Pope Benedict XVI, who will decided if a miracle has taken place. If the Pope is convinced by the evidence, then the Emperor’s canonization can proceed.

The future emperor, 1889

Blessed Charles’s reign as Emperor of Austria and Apostolic King of Hungary began in November 1916 during the First World War. The Emperor realized the heavy toll the Christian countries were suffering and almost immediately began to make peace manouevers. The insane obstinacy of both his German allies and the enemy alliance of France, Great Britain, and the United States, however, meant that Charles’s multiple attempts to negotiate a mutually-acceptable end to the war were not even considered.

After the war, President Woodrow Wilson insisted on dismantling the Austro-Hungarian Empire and the Emperor was forced into exile, first in Switzerland and finally, after two attempts to regain his Hungarian throne, on the Portuguese island of Madeira. Charles had always been particularly devout, and his devotion to God only increased when he caught a severe case of pneumonia on Madeira. He died from the illness in April 1922.

The English writer Herbert Vivian wrote that Charles was “a great leader, a prince of peace, who wanted to save the world from a year of war; a statesman with ideas to save his people from the complicated problems of his empire; a king who loved his people, a fearless man, a noble soul, distinguished, a saint from whose grave blessings come.”

Even Anatole France, the radical French intellectual and novelist, wrote “Emperor Karl is the only decent man to come out of the war in a leadership position, yet he was a saint and no one listened to him. He sincerely wanted peace, and therefore was despised by the whole world. It was a wonderful chance that was lost.”

Recent history has come to fulfil the expectations of Pope St. Pius X, who received Charles when the Austrian was a young archduke and not in direct line to succeed to the throne, saying “I bless Archduke Charles, who will be the future Emperor of Austria and will help lead his countries and peoples to great honor and many blessings–but this will not become obvious until after his death.”

And you thought Norumbega was dead. It hath risen from the flames and you can see it in all its newfound glory at norumbega.co.uk instead of the old address (still there) of norumbega.us. The main idea behind Norumbega is this: update of the central features every fortnight with the news review on the left and the blogosphere review on the right being updated whenever I see fit. There are a number of features which I have yet to add and they will be rolled into Norumbega at the most opportune moment in the future.

Of course there are still little things here and there, mostly behind the scenes, that need working out but I hope to tackle them over the next few days. If you notice any spelling or grammatical errors, do mention them to me here so I can fix them. This is an entirely amateur effort and none of those involved get paid, and so my editing (and writing) is purely in my own time and thus probably not as great as it ought to be. But no doubt you have noticed this on this website already. I am very tired and have worked hard, and so to bed!

Saturday was the one-hundredth anniversary of the birth of the brilliant Herbert Ritter von Karajan of Salzburg, conductor of the Berliner Philharmoniker for thirty-five years. There is a famous (and probably apocryphal) anecdote of Karajan leaping into a taxicab and, when being asked as to his destination, replying “No matter. I am in demand everywhere.” He is of course very well known for his Wagner, but here we present the latter half of Beethoven’s Symphony No. 9: (more…)

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